Sea glitter and fire crackling
Korhan Basaran impressed the audience of the “wortwiege” with his “Dido” in the Kasematten in Wiener Neustadt.
Evolution and its physical legacy
“Bones and Stones” – what rhymes so wonderfully in English sounds much more unwieldy in German.
From a Zen exercise to physical massacre
Simon Mayer combines high-tech equipment with a purely human-based choreography. Although he explores new techniques excessively, his piece “Being moved” conveys a lot of depth.
Wherever it says Ivo Dimchev, there’s pure entertainment inside
Ivo Dimchev was a guest at Impulstanz for the 15th time. And rightly so. Because each of his shows is and has been an experience. Although he has a good, recognisable USP, the artist always devotes himself to new topics. In doing so, he seems to be endowed with an almost inexhaustible creativity.
Jarrett meets Mitchell meets Harrell
“The Köln Concert” by Keith Jarrett shows itself in Trajal Harrell’s dance arrangement as a successful symbiosis of different artistic genres.
A recurring sacrifice in new guise
Dada Masilo, the South African dancer and choreographer, has made a name for herself in recent years with new interpretations of classical ballets. With “Swanlake”, “Carmen” and “Giselle”, she set strong, new interpretative scents. With “The Sacrifice”, a new arrangement of the “Sacre du Printemps”, she wanted to explore what sacrifices we are prepared to make today.