What may sound like a straightforward story about football and Nazis turns out to be so much more. Laying bare the layers of society, of patriarchy and white privilege, The Paper Man playfully questions predominant narratives and power structures.
In her latest production, “Todo el cielo sobre la tierra” (El sindrome de Wendy), Angélica Liddell pushes all mothers off their supposed throne, which they have ascended qua the birth of their children, and shouts at them that there is no reason for them to claim a “dignity surcharge” for themselves.