{"id":44690,"date":"2017-08-08T21:52:06","date_gmt":"2017-08-08T19:52:06","guid":{"rendered":"https:\/\/www.european-cultural-news.com\/start\/"},"modified":"2026-01-25T16:03:01","modified_gmt":"2026-01-25T15:03:01","slug":"1-2","status":"publish","type":"page","link":"https:\/\/european-cultural-news.com\/it\/","title":{"rendered":"Start"},"content":{"rendered":"<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_0 et_pb_row et_block_row et_pb_row_fullwidth\">\n<div class=\"et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n\n<div class=\"et_pb_module et_d4_element et_pb_search et_pb_search_0  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<form role=\"search\" method=\"get\" class=\"et_pb_searchform\" action=\"https:\/\/european-cultural-news.com\/it\/\">\n\t\t\t\t\t<div>\n\t\t\t\t\t\t<label class=\"screen-reader-text\" for=\"s\">Cerca:<\/label>\n\t\t\t\t\t\t<input type=\"text\" name=\"s\" placeholder=\"Durchsuche das Magazin\" class=\"et_pb_s\" \/>\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_searchform_submit\" value=\"et_search_proccess\" \/>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_include_posts\" value=\"yes\" \/>\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_include_pages\" value=\"yes\" \/>\n\t\t\t\t\t\t<input type=\"submit\" value=\"Cerca\" class=\"et_pb_searchsubmit\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/form>\n\t\t\t<\/div>\n\n\n<div class=\"et_pb_post_slider_0 et_pb_post_slider et_pb_bg_layout_dark et_pb_slider et_pb_slider_fullwidth_off et_pb_slider_no_arrows et_pb_slider_no_pagination et_pb_slider_show_image et_pb_post_slider_image_background et_pb_slider_with_overlay et_pb_module et_block_module\"><div class=\"et_pb_slides\"><div class=\"et_pb_slide et_pb_post_slide-50906\" style=\"background-image:url(https:\/\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231006_IX-KLA-VIER-E_c_ORF-musikprotokoll_M.-Gross-_header.jpg)\"><div class=\"et_pb_slide_overlay_container\"><\/div><div class=\"et_pb_container clearfix\"><div class=\"et_pb_slider_container_inner\"><div class=\"et_pb_slide_description\"><h2 class=\"et_pb_slide_title\"><a href=\"https:\/\/european-cultural-news.com\/it\/ix-pianoforti-orf-musikprotokoll\/50906\/\">Suonare il pianoforte con l&#8217;attrezzatura da alpinismo<\/a><\/h2><div class=\"et_pb_slide_content\"><div class=\"et_pb_slide_content_body\"><p>In occasione del musikprotokoll nell&#8217;ambito dello Steirischer Herbst 23, il pubblico della Helmut List Hall ha potuto assistere a un concerto di pianoforte di tipo diverso.<\/p>\n<\/div><\/div><div class=\"et_pb_button_wrapper\"><a class=\"et_pb_button et_pb_more_button\" href=\"https:\/\/european-cultural-news.com\/it\/ix-pianoforti-orf-musikprotokoll\/50906\/\" data-icon=\"i\">Artikel lesen<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_1 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_1 et_pb_column et-last-child et_grid_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone et_flex_column_24_24_tabletWide et_flex_column_24_24_widescreen et_flex_column_24_24_ultraWide\"><div class=\"et_pb_group_0 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"0\">\n<div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Quattro donne e un uomo<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_0 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231008_canvas_c_ORF-musikprotokoll_M.-Gross-9.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231008_canvas_(c)_ORF musikprotokoll_M. Gross (9)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_1 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 12. Ottobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_2 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>L&#8217;ultimo giorno del musikprotokoll in occasione dell&#8217;Autunno stiriano 23, l&#8217;Istituto di Teatro Musicale della Kunstuni di Graz ha invitato a una performance operistica al Mumuth.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_0_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_0 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/canvas-orf-musikprotokoll\/50902\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_3 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"1\">\n<div class=\"et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Grande contingente al musikprotocol nell&#039; Steirischen Herbst 23<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_1 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231007_RSO-Wien_c_ORF-musikprotokoll_M.-Gross-20.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231007_RSO Wien_(c)_ORF musikprotokoll_M. Gross (20)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_4 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 11. Ottobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_5 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_7 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Con l&#8217;ORF RSO Vienna sotto la direzione di Marin Alsop, musikprotokoll ha offerto al suo pubblico un&#8217;esaltante serata di musica contemporanea.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_1_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_1 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/rso-beim-orf-musikprotokoll-im-steirischen-herbst\/50723\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_6 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"2\">\n<div class=\"et_pb_text_8 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Il suono della natura nella sala da concerto<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_2 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231006_Klangforum-Wien_c_ORF-musikprotokoll_M.-Gross-9-1.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231006_Klangforum Wien_(c)_ORF musikprotokoll_M. Gross (9)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_7 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_9 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_10 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 10. Ottobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_8 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_11 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>La seconda serata di musikprotokoll nell&#8217;ambito di Steirischer Herbst 23 \u00e8 stata interamente dedicata alla natura. Il Klangforum diretto da Lin Liao ha eseguito quattro concerti nella List Hall ed \u00e8 stato poi sostituito dallo Schallfeld Ensemble.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_2_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_2 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/il-suono-della-natura-nella-sala-da-concerto\/50883\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_9 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"3\">\n<div class=\"et_pb_text_12 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>suono stereofonico nel Dom im Berg<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_3 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231005_Organa-Quadrupla_c_ORF-musikprotokoll_M.-Gross-4.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231005_Organa Quadrupla_(c)_ORF musikprotokoll_M. Gross (4)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_10 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_13 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_14 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 09. Ottobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_11 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_15 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Per l&#8217;apertura del musikprotokoll intitolato &#8220;interconnesso \/ interdipendente&#8221; nell&#8217;ambito dell&#8217;Autunno stiriano 23, i responsabili hanno programmato un preludio vario per il Dom im Berg.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_3_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_3 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/orf-musikprotokoll-nel-dom-im-berg\/50717\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_12 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"4\">\n<div class=\"et_pb_text_16 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Chi sono in realt\u00e0?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_4 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/0xDCA3B727619FC998506C42AF94D5CFDA.jpg?fit=1080%2C720&#038;ssl=1\" title=\"0xDCA3B727619FC998506C42AF94D5CFDA\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_13 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_17 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_18 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 27. Settembre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_14 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_19 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Il regista, autore e interprete Franz von Strolchen alias Christian Winkler ha creato un pezzo post-drammatico sul tema dei Rom con la produzione &#8220;La nave di Teseo&#8221;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_4_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_4 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/chi-sono-in-realta\/50135\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_15 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"5\">\n<div class=\"et_pb_text_20 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Scintillio marino e crepitii di fuoco<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_5 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/C-Julia-Kampichler-Dido-ASC_0316-web.jpg?fit=1080%2C720&#038;ssl=1\" title=\"(C) Julia Kampichler Dido ASC_0316-web\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_16 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_21 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_22 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 24. Settembre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_17 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_23 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Korhan Basaran ha impressionato il pubblico del &#8220;wortwiege&#8221; con la sua &#8220;Didone&#8221; nel Kasematten di Wiener Neustadt. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_5_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_5 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/dido-parola-culla-korhan-basaran-casemates\/49984\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_18 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"6\">\n<div class=\"et_pb_text_24 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Una bella storia \u00e8 come un coltello affilato<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_6 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/Orlando-Tip-04-c-Ludwig-Drahosch-web.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"Orlando-Tip-04-(c)-Ludwig-Drahosch\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_19 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_25 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Aurelia Gruber<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_26 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 17. Settembre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_20 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_27 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p> Prima austriaca di &#8220;Orlando Trip&#8221; nelle casematte di Wiener Neustadt.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_6_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_6 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/orlando-trip-wortwiege-casematte\/49824\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_21 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"7\">\n<div class=\"et_pb_text_28 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Julius B\u00fcrger - espulso e riscoperto I Il ritorno di un compositore viennese<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_7 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/08\/Exilarte-Buerger-Still-3-c-Benjamin-Pieber-Herzog-Media.jpg?fit=1080%2C608&#038;ssl=1\" title=\"Exilarte-Bu\u0308rger Still 3 (c) Benjamin Pieber - Herzog Media\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_22 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_29 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_30 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 23. Agosto 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_23 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_31 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>La vita stessa scrive le storie pi\u00f9 incredibili. Questa frase, spesso sentita o letta, \u00e8 particolarmente vera per un concerto speciale. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_7_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_7 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/julius-buerger-rso-concerto-vienna\/49583\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_24 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"8\">\n<div class=\"et_pb_text_32 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Jan\u00e1\u010dek in chiesa<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_8 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/04\/PhotoWerK_OG_KKabanova_HP1_HiRes_082-2.jpg?fit=1080%2C720&#038;ssl=1\" title=\"PhotoWerK_OG_KKabanova_HP1_HiRes_082\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_25 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_33 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_34 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 16. Aprile 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_26 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_35 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>A Graz, l&#8217;opera Katja Kabanova di Leo\u0161 Jan\u00e1\u010dek ha subito diverse reinterpretazioni da parte della regista Anika Rutkofsky. Alcune di esse sono aperte alla discussione. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_8_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_8 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/opera-graz-janacek-katja-kabanova-it\/48469\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_27 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"9\">\n<div class=\"et_pb_text_36 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>L&#039;evoluzione e la sua eredit\u00e0 fisica<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_9 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/02\/Bones-and-Stones-herosection-e1677346109785.jpeg?fit=1080%2C718&#038;ssl=1\" title=\"Bones and Stones-herosection\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_28 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_37 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_38 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 27. Febbraio 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_29 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_39 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;Bones and Stones&#8221;: ci\u00f2 che in inglese fa rima in modo meraviglioso, in tedesco suona molto pi\u00f9 ingombrante. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_9_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_9 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/bones-und-stones-claudia-bosse-tqw\/48130\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_30 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"10\">\n<div class=\"et_pb_text_40 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>La creatura di Frankenstein ai piedi della Fortezza di Salisburgo<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_10 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/10\/JF-20220914_0093-scaled-1.jpg?fit=1080%2C718&#038;ssl=1\" title=\"JF-20220914_0093-scaled\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_31 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_41 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_42 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 23. Ottobre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_32 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_43 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Salisburgo merita sempre una deviazione. Non solo per la sua unicit\u00e0 storica e architettonica. Gli appassionati di teatro troveranno anche una serie di eventi che vale la pena vedere, anche al di fuori del festival.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_10_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_10 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/frankensteins-creatura-ai-piedi-delle-feste-salisburgo\/47128\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_33 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"11\">\n<div class=\"et_pb_text_44 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Perch\u00e9 questo Shakespeare \u00e8 cos\u00ec sconosciuto?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_11 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/Coriolanus-0053-c-Julia-Kampichler-web.jpeg?fit=1080%2C719&#038;ssl=1\" title=\"Coriolanus-0053-(c)-Julia-Kampichler-web\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_34 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_45 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Aurelia Gruber<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_46 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 22. Settembre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_35 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_47 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>La produzione non vive solo del fatto che mostra diversi punti di vista su uno Stato di successo e sui rispettivi rappresentanti. La produzione vive anche di momenti forti ed emotivi. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_11_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_11 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/coriolanus-kasematten-wortwiege\/46875\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_36 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"12\">\n<div class=\"et_pb_text_48 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Quando il risotto comincia a profumare<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_12 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/MTTW_VR-Bania_C-Nick-Mangafas4.jpg?fit=1080%2C721&#038;ssl=1\" title=\"MTTW_VR-Bania_(C) Nick Mangafas4\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_37 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_49 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_50 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 19. Settembre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_38 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_51 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Carmen C. Kruse e Manuel Zwerger hanno realizzato l&#8217;impresa di accoppiare una performance VR con un&#8217;esperienza dal vivo. Incontri di cucina europea: VR_Bania \u00e8 diventata un&#8217;esperienza non solo teatrale ma anche epicurea per il pubblico in occasione del &#8216;Musiktheatertage Wien&#8217;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_12_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_12 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/vr-bania-musiktheatertage-wien\/46797\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_39 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"13\">\n<div class=\"et_pb_text_52 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Chornobyldorf - uno sguardo al passato e uno al futuro<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_13 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/MTTW2022_Chornobyldorf_c-Anastasiia-Yakovenko-_-eSel_0875-scaled.jpg?fit=1080%2C720&#038;ssl=1\" title=\"MTTW2022_Chornobyldorf_(c) Anastasiia Yakovenko _ eSel_0875\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_40 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_53 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_54 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 19. Settembre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_41 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_55 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>La minaccia alla terra rappresentata dal progresso tecnologico, forme ibride di esseri umani che praticano generi artistici che tuttavia non potranno mai essere animati da loro, ma &#8220;Chornobyldorf&#8221; contiene tutto questo e molto di pi\u00f9. Oltre a tutte le intenzioni artistiche, il pezzo \u00e8 anche un forte impegno nei confronti dell&#8217;Europa. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_13_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_13 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/chornobyldorf-musiktheatertage-wien\/46798\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_42 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"14\">\n<div class=\"et_pb_text_56 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Da un esercizio zen ad un massacro fisico<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_14 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/22-simonmayer-being-moved-c-franzikreis02-header.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22-simonmayer-being-moved-c-franzikreis02-header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_43 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_57 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_58 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 08. Agosto 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_44 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_59 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Simon Mayer combina un&#8217;attrezzatura high-tech con una coreografia puramente umana. Anche se esplora eccessivamente nuove tecniche, il suo pezzo &#8220;Essere commossi&#8221; trasmette molta profondit\u00e0.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_14_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_14 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/simon-mayer-impulstanz-2022\/46688\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_45 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"15\">\n<div class=\"et_pb_text_60 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Ovunque ci sia scritto Ivo Dimchev, all&#039;interno c&#039;\u00e8 puro intrattenimento.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_15 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/Header_In-Hell-with-jesus.jpg?fit=1080%2C721&#038;ssl=1\" title=\"Header_In Hell with jesus\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_46 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_61 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_62 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 07. Agosto 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_47 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_63 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Ivo Dimchev \u00e8 stato ospite di Impulstanz per la 15esima volta. E giustamente. Perch\u00e9 ogni suo spettacolo \u00e8 ed \u00e8 stato un&#8217;esperienza. Sebbene abbia una buona USP riconoscibile, l&#8217;artista si dedica sempre a nuovi argomenti. Nel farlo, sembra essere dotato di una creativit\u00e0 quasi inesauribile.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_15_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_15 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/ivo-dimchev-impulstanz-in-hell-with-jesus\/46541\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_48 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"16\">\n<div class=\"et_pb_text_64 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Jarrett incontra Mitchell incontra Harrell<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_16 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/Header.jpg?fit=1080%2C763&#038;ssl=1\" title=\"Header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_49 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_65 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_66 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 06. Agosto 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_50 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_67 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;The K\u00f6ln Concert&#8221; di Keith Jarrett si mostra nell&#8217;arrangiamento di danza di Trajal Harrell come una simbiosi riuscita di diversi generi artistici.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_16_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_16 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/the-koeln-concert-trajal-harrell-impulstanz\/46444\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_51 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"17\">\n<div class=\"et_pb_text_68 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Un sacrificio ricorrente in una nuova veste<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_17 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/1980-header-1.jpg?fit=1080%2C740&#038;ssl=1\" title=\"1980-header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_52 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_69 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_70 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 05. Agosto 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_53 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_71 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Dada Masilo, ballerina e coreografa sudafricana, si \u00e8 fatta conoscere negli ultimi anni con nuove interpretazioni di balletti classici. Con &#8220;Swanlake&#8221;, &#8220;Carmen&#8221; e &#8220;Giselle&#8221;, ha creato profumi interpretativi forti e nuovi. Con &#8220;The Sacrifice&#8221;, un nuovo arrangiamento del &#8220;Sacre du Printemps&#8221;, ha voluto esplorare quali sacrifici siamo disposti a fare oggi.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_17_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_17 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/dada-masilo-impulstanz-2022\/46387\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_54 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"18\">\n<div class=\"et_pb_text_72 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Scomparsi i donatori d&#039;impulso<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_18 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/1980-header.jpg?fit=1080%2C719&#038;ssl=1\" title=\"1980-header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_55 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_73 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_74 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 05. Agosto 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_56 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_75 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Nel 2022, il Festival Impulstanz aveva invitato a Vienna Lenio Kaklea, un ballerino e coreografo greco, come aveva fatto diverse volte in precedenza. A lei si \u00e8 unito il pianista e compositore francese di origine britannica, Orlando Bass, che si \u00e8 esibito dal vivo su un pianoforte preparato.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_18_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_18 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/kalkea-impulstanz-john-cage\/46391\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_57 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"19\">\n<div class=\"et_pb_text_76 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Romanzo brutale<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_19 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/header-foto-c-eva-wuerdinger.jpg?fit=1080%2C721&#038;ssl=1\" title=\"Florentina Holzinger TANZ\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_58 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_77 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_78 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 04. Agosto 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_59 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_79 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;La danza. A Sylphidic Reverie in Stunts&#8221; di Florentine Holzinger trasforma le ballerine in streghe assetate di sangue. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_19_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_19 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/florentine-holzinger-impulstanz-2022\/46376\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_60 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"20\">\n<div class=\"et_pb_text_80 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Ricordi in fuga<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_20 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_UltimaVez_WimVandekeybus_ScatteredMemories_c_yako_one_36.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_UltimaVez_WimVandekeybus_ScatteredMemories_c_yako_one_36\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_61 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_81 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_82 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 31. Luglio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_62 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_83 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Quest&#8217;anno, il Festival Impulstanz presenta le produzioni dei grandi della danza internazionale come un flusso ininterrotto. Wim Vandekeybus \u00e8 stato rappresentato con due nuove opere. Dopo il suo spettacolo &#8216;Le mani non toccano il tuo prezioso me&#8217;, ha mostrato &#8216;Scattered Memories&#8217; al Volkstheater &#8211; una retrospettiva di 35 anni di Ultima Vez.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_20_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_20 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/ricordi-in-fuga\/46147\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_63 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"21\">\n<div class=\"et_pb_text_84 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Animalismo e calcolo freddo<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_21 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/header_foto.jpg?fit=1080%2C720&#038;ssl=1\" title=\"header_foto\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_64 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_85 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_86 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 30. Luglio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_65 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_87 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Oscuro, minaccioso, sonnambolico, potente e poetico. Ecco come si presenta &#8220;Le mani non toccano il tuo prezioso me&#8221;, con il sottotitolo omonimo &#8220;L&#8217;universo mescolato di Wim Vandekeybus, Charo Calvo &#038; Olivier de Sagazan&#8221;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_21_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_21 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/animalismo-e-calcolo-freddo\/46085\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_66 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"22\">\n<div class=\"et_pb_text_88 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Was muss man \u00fcber die Entstehung eines Kunstwerkes wirklich wissen?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_22 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_Jan_Lauwers_Needcompany_All_the_Good_c_Phile_Deprez_03.jpg?fit=600%2C400&#038;ssl=1\" title=\"22_Jan_Lauwers_Needcompany_All_the_Good_c_Phile_Deprez_03\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_67 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_89 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_90 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 24. Luglio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_68 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_91 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Jan Lauwers ha creato un capolavoro artistico multidimensionale con la sua &#8220;Needcompany&#8221;.  <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_22_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_22 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/was-muss-man-ueber-die-entstehung-eines-kunstwerkes-wirklich-wissen\/46047\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_69 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"23\">\n<div class=\"et_pb_text_92 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Il Libro della Giungla - ripensato<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_23 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_AkramKhan_JungleBookreimagined_c_AmbraVernuccio43.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_AkramKhan_JungleBookreimagined_c_AmbraVernuccio43\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_70 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_93 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_94 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 24. Luglio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_71 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_95 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Con &#8220;Jungle Book reimagined&#8221;, Akram Khan ha creato una storia del classico di Rudyard Kipling che \u00e8 stata rivista in termini di contenuti. Progettato come un grande spettacolo di danza, conquister\u00e0 sicuramente i palcoscenici di tutto il mondo. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_23_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_23 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/il-libro-della-giungla-ripensato\/46025\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_72 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"24\">\n<div class=\"et_pb_text_96 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Molto e poco, eppure pi\u00f9 che sufficiente di tutto.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_24 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_TanztheaterWuppertalPinaBausch_VollmondEinStueckvonPinaBausch_c_yako.one_06-Copy-2.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_TanztheaterWuppertalPinaBausch_VollmondEinStueckvonPinaBausch_c_yako.one_06 (Copy) (2)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_73 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_97 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_98 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 13. Luglio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_74 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_99 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Nel weekend di apertura, il <a href=\"https:\/\/www.european-cultural-news.com\/de\/category\/tanz\/impulstanz\/\" rel=\"noopener\" target=\"_blank\">Festival Impulstanz<\/a> ha presentato &#8220;Danze per un&#8217;attrice&#8221; di J\u00e9r\u00f4me Bel e &#8220;Vollmond. Un pezzo di Pina Bausch&#8221;. Se si considerano queste due produzioni come un assaggio di ci\u00f2 che potrebbe venire, si pu\u00f2 giustamente attendere con ansia le prossime Settimane della Danza a Vienna.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_24_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_24 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/molto-e-poco-eppure-piu-che-sufficiente-di-tutto\/45888\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_75 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"25\">\n<div class=\"et_pb_text_100 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>In una discarica si possono trovare tutti i tipi di cose<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_25 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/2048px-Wolf_Haas_Frankfurter_Buchmesse_2018.jpg?fit=1080%2C780&#038;ssl=1\" title=\"2048px-Wolf_Haas_Frankfurter_Buchmesse_2018\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_76 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_101 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_102 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 23. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_77 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_103 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Durante le letture non ci si limita a conoscere un nuovo libro. Con un po&#8217; di fortuna, si impara anche qualcosa sulla personalit\u00e0 dell&#8217;autore. Wolf Haas ha aperto al pubblico dell&#8217;Orpheum di Graz una piccola finestra sulla storia di uno scrittore non comune.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_25_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_25 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/in-una-discarica-si-possono-trovare-tutti-i-tipi-di-cose\/45686\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_78 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"26\">\n<div class=\"et_pb_text_104 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Solo il fermo significa libert\u00e0<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_26 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/IMG_0167_Die-Maschine-steht-nicht-still_c_Frank-Dehner-Copy.jpg?fit=1080%2C769&#038;ssl=1\" title=\"IMG_0167_Die-Maschine-steht-nicht-still_c_Frank-Dehner (Copy)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_79 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_105 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_106 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 14. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_80 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_107 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Gli esseri umani vivono isolati dagli altri individui come esseri ibridi, controllati da un macchinario di intelligenza globale. Caroline Peters e Ledwald hanno fatto colpo all&#8217;Hamakom nell&#8217;ambito del Festival di Vienna.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_26_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_26 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/solo-il-fermo-significa-liberta\/45621\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_81 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"27\">\n<div class=\"et_pb_text_108 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Una campagna elettorale per gli animali<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_27 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/Wahlkampf-der-Tiere-06-c-Schubert-Theater-min.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Wahlkampf-der-Tiere-06-c-Schubert-Theater-min\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_82 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_109 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_110 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 10. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_83 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_111 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Quando si tratta di votare, c&#8217;\u00e8 l&#8217;imbarazzo della scelta nel vero senso della parola. Destra, sinistra, moderato, alto o basso, partito affermato o nuovo &#8211; dovreste almeno familiarizzare con i loro programmi elettorali. Il Teatro Schubert, specializzato in teatro di marionette per adulti, presenta al suo pubblico una sorpresa speciale con &#8220;Campagna elettorale degli animali&#8221;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_27_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_27 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/una-campagna-elettorale-per-gli-animali\/45590\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_84 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"28\">\n<div class=\"et_pb_text_112 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Quo vaditis, Rabtaldirndln e toxic dreams?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_28 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/MG_1683.jpg?fit=1080%2C720&#038;ssl=1\" title=\"_MG_1683\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_85 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_113 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_114 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 10. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_86 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_115 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Casalinghe di Graz contro casalinghe viennesi: una combinazione sorprendentemente faticosa<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_28_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_28 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/quo-vaditis-rabtaldirndln-e-toxic-dreams\/45587\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_87 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"29\">\n<div class=\"et_pb_text_116 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Un mix entusiasmante<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_29 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/headerbild.jpg?fit=1080%2C720&#038;ssl=1\" title=\"headerbild\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_88 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_117 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_118 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 07. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_89 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_119 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Bouchra Ouizguen ha presentato un progetto di danza transfrontaliera con il suo lavoro &#8220;Elephant&#8221; al Wiener Festwochen.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_29_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_29 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/un-mix-entusiasmante\/45458\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_90 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"30\">\n<div class=\"et_pb_text_120 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Che tempi!<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_30 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/Lu%CC%88g-mich-an-und-spiel-mit-mir.-Von-Martin-Gruber-und-aktionstheater-ensemble-c-Anja-Ko%CC%88hler-1.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Lu\u0308g mich an und spiel mit mir. Von Martin Gruber und aktionstheater ensemble (c) Anja Ko\u0308hler (1)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_91 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_121 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_122 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 06. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_92 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_123 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Negli anni dell&#8217;era Trump, in tutto il mondo abbiamo imparato a conoscere il concetto di fake-news. Tanto che ora pensiamo di dover adottare la menzogna per sopravvivere nella societ\u00e0. Martin Gruber e il suo gruppo hanno analizzato da vicino il fenomeno. Ma non solo questo.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_30_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_30 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/che-tempi\/45388\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_93 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"31\">\n<div class=\"et_pb_text_124 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Non \u00e8 per i deboli di cuore<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_31 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/2022_05_macbeth_nanette-waidmann_florian-koehler_daria-von-loewenich_203_c_lex-karelly.jpg?fit=1080%2C720&#038;ssl=1\" title=\"2022_05_macbeth_nanette-waidmann_florian-koehler_daria-von-loewenich_203_c_lex-karelly\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_94 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_125 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_126 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 02. Giugno 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_95 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_127 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Il sangue vuole il sangue. Questa frase tratta da &#8220;Macbeth. Dopo William Shakespeare&#8221; di Heiner M\u00fcller \u00e8 stato preso pi\u00f9 che alla lettera dal regista Stephan Rottkamp. La produzione dell&#8217;opera allo Schauspielhaus di Graz inizia in modo cruento e finisce in modo cruento. Nel mezzo: Sangue a fiumi.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_31_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_31 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/non-e-per-i-deboli-di-cuore\/45258\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_96 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"32\">\n<div class=\"et_pb_text_128 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>L&#039;orrore non si svolge solo in teatro<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_32 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/80_LEtang_Gisele_VienneJeanLouisFernandez.jpg?fit=1080%2C720&#038;ssl=1\" title=\"80_LEtang_Gisele_VienneJeanLouisFernandez\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_97 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_129 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_130 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 30. Maggio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_98 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_131 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>L&#8217;abuso di potere inizia in famiglia e da l\u00ec si trasmette. Con &#8220;L&#8217;etang \/ Der Teich&#8221;, Gis\u00e8le Vienne \u00e8 riuscita a creare un adattamento altamente emotivo dell&#8217;omonima opera teatrale di Robert Walser. Mostra come i bambini siano emotivamente in balia dei genitori e quanto soffrano quando vengono privati dell&#8217;amore. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_32_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_32 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/lorrore-non-si-svolge-solo-in-teatro\/45129\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_99 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"33\">\n<div class=\"et_pb_text_132 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Al punto di rottura tra il vecchio e il nuovo<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_33 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/LaCerisaie_TiagoRodrigues_c_Christophe-Raynaud-de-Lage_FestivaldAvignon_05.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"LaCerisaie_TiagoRodrigues_c_Christophe-Raynaud-de-Lage_FestivaldAvignon_05\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_100 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_133 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_134 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 28. Maggio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_101 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_135 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;Il giardino dei ciliegi&#8221; di Cechov, nell&#8217;allestimento di Tiago Rodrigues, \u00e8 stato convincente sotto diversi aspetti al Festival di Vienna. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_33_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_33 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/wiener-festwochen-der-kirschgarten-tschechow\/44911\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_102 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"34\">\n<div class=\"et_pb_text_136 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Tanta testa, poco cuore<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_34 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/Una-imagen-interior_9748_c_Nurith-Wagner-Strauss.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Una-imagen-interior_9748_c_Nurith-Wagner-Strauss\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_103 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_137 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_138 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 25. Maggio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_104 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_139 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>In &#8220;Un imagen interior&#8221; del gruppo El Conde de Torrefiel, il ricorso alla scatola magica del teatro post-drammatico ha funzionato solo in misura limitata.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_34_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_34 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/tanta-testa-poco-cuore\/45182\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_105 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"35\">\n<div class=\"et_pb_text_140 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Musica e danza senza tempo e spazio<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_35 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/2_t-u-m-u-l-u-s_Francois-Chaignaud-Geoffroy-Jourdain_c_Christophe-Raynaud-de-Lage.jpg?fit=1080%2C720&#038;ssl=1\" title=\"2_t-u-m-u-l-u-s_Francois-Chaignaud-Geoffroy-Jourdain_c_Christophe-Raynaud-de-Lage\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_106 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_141 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_142 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 17. Maggio 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_107 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_143 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>TUMULUS &#8211; il nuovo lavoro di Fran\u00e7ois Chaignaud e del direttore d&#8217;orchestra Geoffroy Jourdain unisce la danza alla musica storica e contemporanea.  Racconta la caducit\u00e0 della vita e il desiderio di celebrarla e goderla.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_35_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_35 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/musica-e-danza-senza-tempo-e-spazio\/45186\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_108 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"36\">\n<div class=\"et_pb_text_144 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Fuck you mother!<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_36 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2013\/05\/angelica_liddell_7509.jpg?fit=640%2C427&#038;ssl=1\" title=\"angelica_liddell_festwochen_wien\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_109 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_145 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_146 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 12. Maggio 2013<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_110 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_147 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Nella sua ultima produzione, &#8220;Todo el cielo sobre la tierra&#8221; (El sindrome de Wendy), Ang\u00e9lica Liddell spinge tutte le madri fuori dal loro presunto trono, al quale sono salite grazie alla nascita dei loro figli, e grida loro che non c&#8217;\u00e8 motivo di pretendere un &#8220;supplemento di dignit\u00e0&#8221; per loro stesse.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_36_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_36 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/it\/fuck-you-mother-italiano\/49501\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":51350,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-44690","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/P2NpeJ-bCO","_links":{"self":[{"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/pages\/44690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/comments?post=44690"}],"version-history":[{"count":4,"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/pages\/44690\/revisions"}],"predecessor-version":[{"id":59156,"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/pages\/44690\/revisions\/59156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/media\/51350"}],"wp:attachment":[{"href":"https:\/\/european-cultural-news.com\/it\/wp-json\/wp\/v2\/media?parent=44690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}