{"id":25492,"date":"2017-08-08T21:52:06","date_gmt":"2017-08-08T19:52:06","guid":{"rendered":"https:\/\/www.european-cultural-news.com\/start\/"},"modified":"2026-01-25T16:02:54","modified_gmt":"2026-01-25T15:02:54","slug":"1-2","status":"publish","type":"page","link":"https:\/\/european-cultural-news.com\/fr\/","title":{"rendered":"start"},"content":{"rendered":"<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_0 et_pb_row et_block_row et_pb_row_fullwidth\">\n<div class=\"et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n\n<div class=\"et_pb_module et_d4_element et_pb_search et_pb_search_0  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<form role=\"search\" method=\"get\" class=\"et_pb_searchform\" action=\"https:\/\/european-cultural-news.com\/fr\/\">\n\t\t\t\t\t<div>\n\t\t\t\t\t\t<label class=\"screen-reader-text\" for=\"s\">Rechercher :<\/label>\n\t\t\t\t\t\t<input type=\"text\" name=\"s\" placeholder=\"Durchsuche das Magazin\" class=\"et_pb_s\" \/>\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_searchform_submit\" value=\"et_search_proccess\" \/>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_include_posts\" value=\"yes\" \/>\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_include_pages\" value=\"yes\" \/>\n\t\t\t\t\t\t<input type=\"submit\" value=\"Rechercher\" class=\"et_pb_searchsubmit\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/form>\n\t\t\t<\/div>\n\n\n<div class=\"et_pb_post_slider_0 et_pb_post_slider et_pb_bg_layout_dark et_pb_slider et_pb_slider_fullwidth_off et_pb_slider_no_arrows et_pb_slider_no_pagination et_pb_slider_show_image et_pb_post_slider_image_background et_pb_slider_with_overlay et_pb_module et_block_module\"><div class=\"et_pb_slides\"><div class=\"et_pb_slide et_pb_post_slide-56205\" style=\"background-image:url(https:\/\/european-cultural-news.com\/wp-content\/uploads\/2024\/10\/european-cultural-news.com-zu-schoen-um-wahr-zu-sein-grand-piano-scaled.webp)\"><div class=\"et_pb_slide_overlay_container\"><\/div><div class=\"et_pb_container clearfix\"><div class=\"et_pb_slider_container_inner\"><div class=\"et_pb_slide_description\"><h2 class=\"et_pb_slide_title\"><a href=\"https:\/\/european-cultural-news.com\/fr\/a-voir-pour-etre-vrai\/56205\/\">Trop beau pour \u00eatre vrai<\/a><\/h2><div class=\"et_pb_slide_content\"><div class=\"et_pb_slide_content_body\"><p>Fr\u00e9d\u00e9ric Chopin, Clara Schumann, Ignacy Jan Paderewski, Sergei Rachmaninow ou Glenn Gould &#8211; tous sont connus pour avoir souffert de douleurs intenses en raison de leur virtuosit\u00e9 au piano. Heureusement, la technique de jeu r\u00e9volutionnaire de Dorothy Taubman permet a&hellip;<\/p>\n<\/div><\/div><div class=\"et_pb_button_wrapper\"><a class=\"et_pb_button et_pb_more_button\" href=\"https:\/\/european-cultural-news.com\/fr\/a-voir-pour-etre-vrai\/56205\/\" data-icon=\"i\">Artikel lesen<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_1 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_1 et_pb_column et-last-child et_grid_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone et_flex_column_24_24_tabletWide et_flex_column_24_24_widescreen et_flex_column_24_24_ultraWide\"><div class=\"et_pb_group_0 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"0\">\n<div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>HAMLET \u2013 DANS LES PLIS DU TEMPS<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_0 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2024\/05\/european-cultural-news.com-Hamlet-c-Simon-Gosselin-5-2024-04-19-112541-mzra.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Hamlet-c-Simon-Gosselin-5_2024-04-19-112541_mzra\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_1 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 01. juin 2024<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_2 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Hamlet a d\u00e9j\u00e0 fait l&rsquo;objet de nombreuses r\u00e9interpr\u00e9tations. Le \u00ab\u00a0Wiener Festwochen\u00a0\u00bb pr\u00e9sente aujourd&rsquo;hui un nouveau chapitre de la r\u00e9interpr\u00e9tation de Shakespeare. Un chapitre qui fait sens, mais qui, en m\u00eame temps, se heurte \u00e0 la limite de la surcharge.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_0_wrapper\"><a class=\"et_pb_button_0 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/hamlet-dans-les-plis-du-temps\/53665\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_3 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"1\">\n<div class=\"et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Qu&#039;est-ce que cela fait d&#039;\u00eatre isra\u00e9lien ?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_1 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2024\/03\/european-cultural-news.com-wie-ist-es-ein-israeli-zu-sein-CJulia-Kampichler-Handbook-0150.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"(C)Julia Kampichler Handbook_0150.jpg\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_4 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 12. mars 2024<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_5 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_7 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Deux metteurs en sc\u00e8ne isra\u00e9liens r\u00e9fl\u00e9chissent sur sc\u00e8ne \u00e0 une nouvelle pi\u00e8ce, \u00e0 leur vie en Europe et \u00e0 celle en Isra\u00ebl. Dr\u00f4les et profonds, humoristiques et tristes \u00e0 la fois, ils ont conquis le public du &lsquo;wortwiege&rsquo; dans les casemates de Wiener Neustadt.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_1_wrapper\"><a class=\"et_pb_button_1 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/quest-ce-que-cela-fait-detre-israelien\/53238\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_6 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"2\">\n<div class=\"et_pb_text_8 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Jouer du piano avec un \u00e9quipement d&#039;alpiniste<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_2 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231006_IX-KLA-VIER-E_c_ORF-musikprotokoll_M.-Gross-_header.jpg?fit=1080%2C608&#038;ssl=1\" title=\"231006_IX KLA VIER E_(c)_ORF musikprotokoll_M. Gross _header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_7 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_9 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_10 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 12. octobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_8 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_11 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>A l&rsquo;occasion du protocole musical dans le cadre de l&rsquo;automne styrien 23, le public a pu assister \u00e0 un concert de piano d&rsquo;un autre genre en guise d&rsquo;entr\u00e9e en mati\u00e8re dans la Helmut-List-Halle.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_2_wrapper\"><a class=\"et_pb_button_2 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/jouer-du-piano-orf-musikprotokoll\/50905\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_9 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"3\">\n<div class=\"et_pb_text_12 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Quatre femmes et un homme<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_3 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231008_canvas_c_ORF-musikprotokoll_M.-Gross-9.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231008_canvas_(c)_ORF musikprotokoll_M. Gross (9)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_10 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_13 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_14 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 12. octobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_11 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_15 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le dernier jour du protocole musical \u00e0 l&rsquo;occasion de l&rsquo;automne styrien 23, l&rsquo;institut de th\u00e9\u00e2tre musical de l&rsquo;universit\u00e9 des arts de Graz a invit\u00e9 \u00e0 une repr\u00e9sentation d&rsquo;op\u00e9ra au Mumuth.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_3_wrapper\"><a class=\"et_pb_button_3 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/canvas-orf-musikprotokoll\/50899\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_12 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"4\">\n<div class=\"et_pb_text_16 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Un grand nombre de musiciens pour le musikprotokoll au Steirischer Herbst 23.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_4 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231007_RSO-Wien_c_ORF-musikprotokoll_M.-Gross-20.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231007_RSO Wien_(c)_ORF musikprotokoll_M. Gross (20)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_13 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_17 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_18 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 11. octobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_14 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_19 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Avec l&rsquo;ORF RSO Wien sous la baguette de Marin Alsop, le musikprotokoll a offert \u00e0 son public une soir\u00e9e enivrante de musique contemporaine.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_4_wrapper\"><a class=\"et_pb_button_4 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/rso-beim-orf-musikprotokoll-au-steirischen-herbst\/50721\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_15 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"5\">\n<div class=\"et_pb_text_20 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le son de la nature dans la salle de concert<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_5 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231006_Klangforum-Wien_c_ORF-musikprotokoll_M.-Gross-9-1.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231006_Klangforum Wien_(c)_ORF musikprotokoll_M. Gross (9)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_16 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_21 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_22 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 10. octobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_17 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_23 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>La deuxi\u00e8me soir\u00e9e de musikprotokoll dans le cadre du Steirischer Herbst 23 \u00e9tait enti\u00e8rement consacr\u00e9e \u00e0 la nature. Le Klangforum, sous la direction de Lin Liao, a donn\u00e9 quatre concerts dans la List-Halle, avant d&rsquo;\u00eatre relay\u00e9 par le Schallfeld Ensemble.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_5_wrapper\"><a class=\"et_pb_button_5 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/le-son-de-la-nature-dans-la-salle-de-concert\/50881\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_18 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"6\">\n<div class=\"et_pb_text_24 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le son spatial dans le &quot;Dom im Berg&quot;<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_6 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231005_Organa-Quadrupla_c_ORF-musikprotokoll_M.-Gross-4.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231005_Organa Quadrupla_(c)_ORF musikprotokoll_M. Gross (4)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_19 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_25 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_26 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 09. octobre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_20 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_27 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Pour l&rsquo;ouverture du musikprotokoll sous le titre \u00ab\u00a0interconnected \/ interdependent\u00a0\u00bb dans le cadre de l&rsquo;automne styrien 23, les responsables ont programm\u00e9 une ouverture vari\u00e9e pour la Dom im Berg.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_6_wrapper\"><a class=\"et_pb_button_6 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/orf-musikprotokoll-dans-la-dom-im-berg-francais\/50715\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_21 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"7\">\n<div class=\"et_pb_text_28 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Qui suis-je en r\u00e9alit\u00e9 ?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_7 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/0xDCA3B727619FC998506C42AF94D5CFDA.jpg?fit=1080%2C720&#038;ssl=1\" title=\"bateau de Th\u00e9s\u00e9e\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_22 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_29 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_30 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 27. septembre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_23 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_31 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le metteur en sc\u00e8ne, auteur et performeur Franz von Strolchen, alias Christian Winkler, a cr\u00e9\u00e9 une pi\u00e8ce post-dramatique sur le th\u00e8me des Roms avec la production \u00ab\u00a0Le bateau de Th\u00e9s\u00e9e\u00a0\u00bb. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_7_wrapper\"><a class=\"et_pb_button_7 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/qui-suis-je-en-realite\/50133\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_24 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"8\">\n<div class=\"et_pb_text_32 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Scintillement de la mer et cr\u00e9pitement de feu<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_8 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/C-Julia-Kampichler-Dido-ASC_0316-web.jpg?fit=1080%2C720&#038;ssl=1\" title=\"(C) Julia Kampichler Dido ASC_0316-web\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_25 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_33 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_34 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 24. septembre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_26 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_35 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Korhan Basaran a impressionn\u00e9 le public de \u00ab\u00a0wortwiege\u00a0\u00bb avec sa \u00ab\u00a0Dido\u00a0\u00bb dans les casemates de Wiener Neustadt. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_8_wrapper\"><a class=\"et_pb_button_8 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/dido-wortwiege-korhan-basaran-casemates\/49982\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_27 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"9\">\n<div class=\"et_pb_text_36 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Une bonne histoire est comme un couteau bien aiguis\u00e9<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_9 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/Orlando-Tip-04-c-Ludwig-Drahosch-web.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"Orlando-Tip-04-(c)-Ludwig-Drahosch\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_28 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_37 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Aurelia Gruber<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_38 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 17. septembre 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_29 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_39 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Premi\u00e8re autrichienne d&rsquo; \u00ab\u00a0Orlando Trip\u00a0\u00bb dans les casemates de Wiener Neustadt.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_9_wrapper\"><a class=\"et_pb_button_9 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/orlando-trip-wortwiege-casemates\/49825\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_30 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"10\">\n<div class=\"et_pb_text_40 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>La promenade d&#039;Orlando \u00e0 Vienne<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_10 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/08\/Station_1_Vorschau_Claudia_VD.jpg?fit=1080%2C646&#038;ssl=1\" title=\"Station_1_Vorschau_Claudia_VD\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_31 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_41 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_42 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 30. ao\u00fbt 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_32 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_43 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Beaucoup d&rsquo;entre nous n&rsquo;ont pas les meilleurs souvenirs de l&rsquo;\u00e9poque des lockdowns. Ce n&rsquo;est pas le cas pour Ece Anisoglu et Julia Pacher. Elles ont d\u00e9velopp\u00e9 ensemble \u00ab\u00a0The Orlando Project\u00a0\u00bb lorsque la culture \u00e9tait \u00e0 l&rsquo;arr\u00eat. La premi\u00e8re a eu lieu en ao\u00fbt \u00e0 Vienne, en plein air. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_10_wrapper\"><a class=\"et_pb_button_10 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/la-promenade-d-orlande-a-vienne\/49707\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_33 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"11\">\n<div class=\"et_pb_text_44 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Julius B\u00fcrger - chass\u00e9 et red\u00e9couvert I Un compositeur viennois de retour<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_11 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/08\/Exilarte-Buerger-Still-3-c-Benjamin-Pieber-Herzog-Media.jpg?fit=1080%2C608&#038;ssl=1\" title=\"Exilarte-Bu\u0308rger Still 3 (c) Benjamin Pieber - Herzog Media\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_34 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_45 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_46 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 23. ao\u00fbt 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_35 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_47 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Les histoires les plus incroyables, c&rsquo;est la vie qui les \u00e9crit. Cette phrase, souvent entendue ou lue, s&rsquo;applique tout particuli\u00e8rement \u00e0 un concert sp\u00e9cial. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_11_wrapper\"><a class=\"et_pb_button_11 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/julius-buerger-rso-concert-vienne\/49582\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_36 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"12\">\n<div class=\"et_pb_text_48 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Jan\u00e1\u010dek dans l&#039;\u00e9glise<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_12 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/04\/PhotoWerK_OG_KKabanova_HP1_HiRes_082-2.jpg?fit=1080%2C720&#038;ssl=1\" title=\"PhotoWerK_OG_KKabanova_HP1_HiRes_082\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_37 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_49 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_50 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 16. avril 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_38 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_51 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>A Graz, l&rsquo;op\u00e9ra Katja Kabanova de Leo\u0161 Jan\u00e1\u010dek a connu plusieurs r\u00e9interpr\u00e9tations de son contenu par la metteuse en sc\u00e8ne Anika Rutkofsky. Certaines peuvent \u00eatre discut\u00e9es. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_12_wrapper\"><a class=\"et_pb_button_12 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/opera-graz-janacek-katja-kabanova\/48468\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_39 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"13\">\n<div class=\"et_pb_text_52 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>L&#039;\u00e9volution et son h\u00e9ritage physique<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_13 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/02\/Bones-and-Stones-herosection-e1677346109785.jpeg?fit=1080%2C718&#038;ssl=1\" title=\"Bones and Stones-herosection\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_40 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_53 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_54 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 27. f\u00e9vrier 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_41 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_55 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>\u00ab\u00a0Bones and Stones\u00a0\u00bb &#8211; ce qui rime si merveilleusement en anglais sonne d\u00e9j\u00e0 beaucoup plus encombrant en allemand. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_13_wrapper\"><a class=\"et_pb_button_13 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/bones-und-stones-claudia-bosse-tqw\/48128\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_42 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"14\">\n<div class=\"et_pb_text_56 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>La cr\u00e9ature de Frankenstein au pied de la forteresse de Salzbourg<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_14 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/10\/JF-20220914_0093-scaled-1.jpg?fit=1080%2C718&#038;ssl=1\" title=\"JF-20220914_0093-scaled\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_43 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_57 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_58 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 23. octobre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_44 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_59 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Salzbourg vaut toujours le d\u00e9tour. Pas seulement pour son caract\u00e8re historique et architectural unique. Les amateurs de th\u00e9\u00e2tre y trouveront \u00e9galement une offre qui vaut la peine d&rsquo;\u00eatre vue &#8211; m\u00eame en dehors du festival.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_14_wrapper\"><a class=\"et_pb_button_14 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/frankensteins-creature-au-pied-de-la-forteresse-salzburg\/47127\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_45 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"15\">\n<div class=\"et_pb_text_60 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Pourquoi ce Shakespeare est-il si peu connu ?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_15 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/Coriolanus-0053-c-Julia-Kampichler-web.jpeg?fit=1080%2C719&#038;ssl=1\" title=\"Coriolanus-0053-(c)-Julia-Kampichler-web\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_46 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_61 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Aurelia Gruber<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_62 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 22. septembre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_47 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_63 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>La mise en sc\u00e8ne ne se contente pas de montrer les diff\u00e9rentes conceptions d&rsquo;un \u00c9tat r\u00e9ussi et leurs repr\u00e9sentants respectifs. La mise en sc\u00e8ne se nourrit \u00e9galement de moments forts et \u00e9motionnels. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_15_wrapper\"><a class=\"et_pb_button_15 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/coriolanus-kasematten-wortwiege\/46877\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_48 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"16\">\n<div class=\"et_pb_text_64 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Quand le risotto commence \u00e0 sentir bon<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_16 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/MTTW_VR-Bania_C-Nick-Mangafas4.jpg?fit=1080%2C721&#038;ssl=1\" title=\"MTTW_VR-Bania_(C) Nick Mangafas4\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_49 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_65 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_66 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 19. septembre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_50 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_67 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Carmen C. Kruse et Manuel Zwerger ont r\u00e9ussi le tour de force de combiner une performance VR avec une exp\u00e9rience en direct. European Kitchen Encounters : VR_Bania est devenu une exp\u00e9rience non seulement th\u00e9\u00e2trale, mais aussi gastronomique pour le public \u00e0 l&rsquo;occasion des &lsquo;Musiktheatertage Wien&rsquo;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_16_wrapper\"><a class=\"et_pb_button_16 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/vr-bania-musiktheatertage-wien\/46796\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_51 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"17\">\n<div class=\"et_pb_text_68 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Chornobyldorf - un regard en arri\u00e8re et un en avant<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_17 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/MTTW2022_Chornobyldorf_c-Anastasiia-Yakovenko-_-eSel_0875-scaled.jpg?fit=1080%2C720&#038;ssl=1\" title=\"MTTW2022_Chornobyldorf_(c) Anastasiia Yakovenko _ eSel_0875\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_52 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_69 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_70 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 19. septembre 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_53 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_71 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>La menace que fait peser le progr\u00e8s technique sur la Terre, des formes humaines hybrides qui s&rsquo;exercent \u00e0 des genres artistiques qu&rsquo;elles ne pourront jamais animer, voil\u00e0 ce que contient \u00ab\u00a0Chornobyldorf\u00a0\u00bb, mais bien plus encore. Au-del\u00e0 de toute intention artistique, la pi\u00e8ce est aussi un engagement fort en faveur de l&rsquo;Europe.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_17_wrapper\"><a class=\"et_pb_button_17 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/chornobyldorf-musiktheatertage-wien\/46801\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_54 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"18\">\n<div class=\"et_pb_text_72 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>D&#039;un exercice zen au massacre physique<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_18 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/22-simonmayer-being-moved-c-franzikreis02-header.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22-simonmayer-being-moved-c-franzikreis02-header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_55 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_73 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_74 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 08. ao\u00fbt 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_56 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_75 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Simon Mayer combine un \u00e9quipement high-tech avec une chor\u00e9graphie purement humaine. Bien qu&rsquo;il explore de nouvelles techniques \u00e0 outrance, sa pi\u00e8ce \u00ab\u00a0Being moved\u00a0\u00bb transmet beaucoup de profondeur.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_18_wrapper\"><a class=\"et_pb_button_18 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/simon-mayer-impulstanz-2022\/46690\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_57 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"19\">\n<div class=\"et_pb_text_76 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le nom d&#039;Ivo Dimchev est synonyme de pur divertissement<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_19 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/Header_In-Hell-with-jesus.jpg?fit=1080%2C721&#038;ssl=1\" title=\"Header_In Hell with jesus\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_58 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_77 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_78 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 07. ao\u00fbt 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_59 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_79 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Ivo Dimchev \u00e9tait l&rsquo;invit\u00e9 d&rsquo;Impulstanz pour la 15e fois cons\u00e9cutive. Et \u00e0 juste titre. Car chacun de ses spectacles est et a toujours \u00e9t\u00e9 une exp\u00e9rience. Bien qu&rsquo;il dispose d&rsquo;une bonne USP reconnaissable, l&rsquo;artiste se consacre toujours \u00e0 de nouveaux th\u00e8mes. Il semble \u00eatre dot\u00e9 d&rsquo;une cr\u00e9ativit\u00e9 in\u00e9puisable.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_19_wrapper\"><a class=\"et_pb_button_19 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/ivo-dimchev-impulstanz-in-hell-with-jesus\/46543\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_60 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"20\">\n<div class=\"et_pb_text_80 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Jarrett rencontre Mitchell rencontre Harrell<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_20 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/Header.jpg?fit=1080%2C763&#038;ssl=1\" title=\"Header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_61 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_81 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_82 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 06. ao\u00fbt 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_62 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_83 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>\u00ab\u00a0The K\u00f6ln Concert\u00a0\u00bb de Keith Jarrett, adapt\u00e9 pour la danse par Trajal Harrell, se r\u00e9v\u00e8le \u00eatre une symbiose r\u00e9ussie entre diff\u00e9rents genres artistiques.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_20_wrapper\"><a class=\"et_pb_button_20 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/the-koeln-concert-trajal-harrell-impulstanz\/46443\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_63 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"21\">\n<div class=\"et_pb_text_84 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Un sacrifice r\u00e9current dans un nouvel habit<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_21 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/1980-header-1.jpg?fit=1080%2C740&#038;ssl=1\" title=\"1980-header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_64 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_85 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_86 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 05. ao\u00fbt 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_65 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_87 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Dada Masilo, danseuse et chor\u00e9graphe d&rsquo;origine sud-africaine, s&rsquo;est fait conna\u00eetre ces derni\u00e8res ann\u00e9es par ses r\u00e9interpr\u00e9tations de ballets classiques. Avec \u00ab\u00a0Swanlake\u00a0\u00bb, \u00ab\u00a0Carmen\u00a0\u00bb et \u00ab\u00a0Giselle\u00a0\u00bb, elle a pos\u00e9 de solides jalons en mati\u00e8re de r\u00e9interpr\u00e9tation. Avec \u00ab\u00a0The Sacrifice\u00a0\u00bb, une nouvelle adaptation du \u00ab\u00a0Sacre du Printemps\u00a0\u00bb, elle a voulu explorer les sacrifices que nous sommes pr\u00eats \u00e0 faire aujourd&rsquo;hui.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_21_wrapper\"><a class=\"et_pb_button_21 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/dada-masilo-impulstanz-2022\/46386\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_66 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"22\">\n<div class=\"et_pb_text_88 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Disparition des femmes qui donnent l&#039;impulsion<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_22 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/1980-header.jpg?fit=1080%2C719&#038;ssl=1\" title=\"1980-header\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_67 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_89 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_90 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 05. ao\u00fbt 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_68 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_91 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>En 2022, le festival Impulstanz a invit\u00e9 Lenio Kaklea, danseuse et chor\u00e9graphe d&rsquo;origine grecque, \u00e0 Vienne, comme il l&rsquo;avait fait \u00e0 plusieurs reprises auparavant. Elle \u00e9tait accompagn\u00e9e d&rsquo;Orlando Bass, pianiste et compositeur fran\u00e7ais d&rsquo;origine britannique, qui jouait en direct sur un piano pr\u00e9par\u00e9.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_22_wrapper\"><a class=\"et_pb_button_22 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/kalkea-impulstanz-john-cage\/46392\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_69 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"23\">\n<div class=\"et_pb_text_92 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Un romantisme brutal<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_23 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/header-foto-c-eva-wuerdinger.jpg?fit=1080%2C721&#038;ssl=1\" title=\"Florentina Holzinger TANZ\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_70 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_93 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_94 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 04. ao\u00fbt 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_71 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_95 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>\u00ab\u00a0Danse. Une r\u00eaverie sylphide en cascades\u00a0\u00bb de Florentine Holzinger transforme les danseuses de ballet en sorci\u00e8res assoiff\u00e9es de sang. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_23_wrapper\"><a class=\"et_pb_button_23 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/florentine-holzinger-impulstanz-2022\/46377\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_72 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"24\">\n<div class=\"et_pb_text_96 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Des souvenirs en continu<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_24 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_UltimaVez_WimVandekeybus_ScatteredMemories_c_yako_one_36.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_UltimaVez_WimVandekeybus_ScatteredMemories_c_yako_one_36\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_73 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_97 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_98 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 31. juillet 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_74 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_99 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Cette ann\u00e9e, le festival Impulstanz a pr\u00e9sent\u00e9 des productions de grands noms de la danse internationale. Wim Vandekeybus \u00e9tait pr\u00e9sent avec deux nouvelles \u0153uvres. Apr\u00e8s son spectacle &lsquo;Hands do not touch your precious me&rsquo;, il a pr\u00e9sent\u00e9 au Volkstheater \u00ab\u00a0Scattered Memories\u00a0\u00bb &#8211; une r\u00e9trospective des 35 ans d&rsquo;Ultima Vez.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_24_wrapper\"><a class=\"et_pb_button_24 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/des-souvenirs-en-continu\/46148\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_75 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"25\">\n<div class=\"et_pb_text_100 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Animalit\u00e9 et calcul froid<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_25 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/header_foto.jpg?fit=1080%2C720&#038;ssl=1\" title=\"header_foto\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_76 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_101 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_102 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 30. juillet 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_77 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_103 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Sombre, mena\u00e7ant, somnambulique, puissant et po\u00e9tique. C&rsquo;est ainsi que se pr\u00e9sente \u00ab\u00a0Hands do not touch your precious me\u00a0\u00bb, dont le sous-titre \u00e9ponyme est \u00ab\u00a0The mingled universe of Wim Vandekeybus, Charo Calvo &#038; Olivier de Sagazan\u00a0\u00bb.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_25_wrapper\"><a class=\"et_pb_button_25 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/animalite-et-calcul-froid\/46086\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_78 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"26\">\n<div class=\"et_pb_text_104 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Que faut-il vraiment savoir sur la cr\u00e9ation d&#039;une \u0153uvre d&#039;art ?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_26 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_Jan_Lauwers_Needcompany_All_the_Good_c_Phile_Deprez_03.jpg?fit=600%2C400&#038;ssl=1\" title=\"22_Jan_Lauwers_Needcompany_All_the_Good_c_Phile_Deprez_03\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_79 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_105 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_106 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 24. juillet 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_80 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_107 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Jan Lauwers a cr\u00e9\u00e9 un chef-d&rsquo;\u0153uvre artistique multidimensionnel avec sa \u00ab\u00a0Needcompany\u00a0\u00bb.  <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_26_wrapper\"><a class=\"et_pb_button_26 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/que-faut-il-vraiment-savoir-sur-la-creation-dune-oeuvre-dart\/46046\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_81 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"27\">\n<div class=\"et_pb_text_108 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le Livre de la jungle - repens\u00e9<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_27 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_AkramKhan_JungleBookreimagined_c_AmbraVernuccio43.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_AkramKhan_JungleBookreimagined_c_AmbraVernuccio43\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_82 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_109 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_110 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 24. juillet 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_83 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_111 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>[Qui ne conna\u00eet pas l&rsquo;histoire de Mowgli, un enfant trouv\u00e9 qui grandit parmi les animaux dans la jungle indienne ? Cette histoire de Rudyard Kipling, adapt\u00e9e en film d&rsquo;animation dans les studios Disney ?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_27_wrapper\"><a class=\"et_pb_button_27 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/le-livre-de-la-jungle-repense\/46024\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_84 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"28\">\n<div class=\"et_pb_text_112 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Beaucoup et peu, et pourtant plus que suffisamment de tout<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_28 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_TanztheaterWuppertalPinaBausch_VollmondEinStueckvonPinaBausch_c_yako.one_06-Copy-2.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_TanztheaterWuppertalPinaBausch_VollmondEinStueckvonPinaBausch_c_yako.one_06 (Copy) (2)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_85 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_113 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_114 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 13. juillet 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_86 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_115 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Lors du week-end d&rsquo;ouverture, le <a href=\"https:\/\/www.european-cultural-news.com\/de\/category\/tanz\/impulstanz\/\" rel=\"noopener\" target=\"_blank\">Festival Impulstanz<\/a> a pr\u00e9sent\u00e9, entre autres productions, \u00ab\u00a0Dances for an actress\u00a0\u00bb de J\u00e9r\u00f4me Bel et \u00ab\u00a0Vollmond. Une pi\u00e8ce de Pina Bausch\u00a0\u00bb. Si l&rsquo;on consid\u00e8re ces deux productions comme un \u00e9chantillon de ce qui peut encore arriver, on peut \u00e0 juste titre se r\u00e9jouir des prochaines semaines de la danse \u00e0 Vienne.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_28_wrapper\"><a class=\"et_pb_button_28 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/beaucoup-et-peu-et-pourtant-plus-que-suffisamment-de-tout\/45887\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_87 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"29\">\n<div class=\"et_pb_text_116 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Dans une d\u00e9charge, on peut trouver toutes sortes de choses<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_29 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/2048px-Wolf_Haas_Frankfurter_Buchmesse_2018.jpg?fit=1080%2C780&#038;ssl=1\" title=\"2048px-Wolf_Haas_Frankfurter_Buchmesse_2018\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_88 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_117 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_118 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 23. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_89 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_119 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Les lectures ne donnent pas seulement un aper\u00e7u d&rsquo;un nouveau livre. Avec un peu de chance, on en apprend aussi un peu plus sur la personnalit\u00e9 de l&rsquo;auteur. Wolf Haas a ouvert \u00e0 son public de l&rsquo;Orpheum de Graz une petite fen\u00eatre sur un \u00e9v\u00e9nement peu ordinaire concernant un \u00e9crivain.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_29_wrapper\"><a class=\"et_pb_button_29 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/dans-une-decharge-on-peut-trouver-toutes-sortes-de-choses\/45685\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_90 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"30\">\n<div class=\"et_pb_text_120 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Seule l&#039;immobilit\u00e9 est synonyme de libert\u00e9<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_30 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/IMG_0167_Die-Maschine-steht-nicht-still_c_Frank-Dehner-Copy.jpg?fit=1080%2C769&#038;ssl=1\" title=\"IMG_0167_Die-Maschine-steht-nicht-still_c_Frank-Dehner (Copy)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_91 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_121 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_122 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 14. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_92 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_123 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>L&rsquo;homme vit isol\u00e9 des autres individus en tant qu&rsquo;\u00eatre hybride, dirig\u00e9 par une machine d&rsquo;intelligence globale. Caroline Peters et Ledwald ont fait forte impression au Hamakom dans le cadre des Wiener Festwochen.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_30_wrapper\"><a class=\"et_pb_button_30 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/seule-limmobilite-est-synonyme-de-liberte\/45618\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_93 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"31\">\n<div class=\"et_pb_text_124 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Une campagne \u00e9lectorale animale<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_31 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/Wahlkampf-der-Tiere-06-c-Schubert-Theater-min.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Wahlkampf-der-Tiere-06-c-Schubert-Theater-min\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_94 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_125 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_126 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 10. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_95 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_127 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Lorsqu&rsquo;il s&rsquo;agit de voter, on a l&#8217;embarras du choix, au sens propre du terme. Que l&rsquo;on soit de droite, de gauche, mod\u00e9r\u00e9, en haut ou en bas, que l&rsquo;on soit un parti \u00e9tabli ou un nouveau venu, il faut au moins se familiariser avec leurs programmes \u00e9lectoraux. Le Schubert Theater, sp\u00e9cialis\u00e9 dans le th\u00e9\u00e2tre de marionnettes pour adultes, pr\u00e9sente \u00e0 son public une friandise particuli\u00e8re avec \u00ab\u00a0Wahlkampf der Tiere\u00a0\u00bb.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_31_wrapper\"><a class=\"et_pb_button_31 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/une-campagne-electorale-animale\/45589\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_96 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"32\">\n<div class=\"et_pb_text_128 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Quo vaditis, Rabtaldirndln et toxic dreams?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_32 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/MG_1683.jpg?fit=1080%2C720&#038;ssl=1\" title=\"_MG_1683\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_97 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_129 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_130 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 10. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_98 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_131 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Femmes au foyer de Graz contre femmes au foyer de Vienne \u2014 une combinaison \u00e9tonnamment fatigante<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_32_wrapper\"><a class=\"et_pb_button_32 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/quo-vaditis-rabtaldirndln-et-toxic-dreams\/45585\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_99 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"33\">\n<div class=\"et_pb_text_132 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Un m\u00e9lange excitant<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_33 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/headerbild.jpg?fit=1080%2C720&#038;ssl=1\" title=\"headerbild\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_100 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_133 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_134 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 07. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_101 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_135 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Avec son travail \u00ab\u00a0Elephant\u00a0\u00bb, Bouchra Ouizguen a pr\u00e9sent\u00e9 un projet de danse transfrontalier dans le cadre des Wiener Festwochen.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_33_wrapper\"><a class=\"et_pb_button_33 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/un-melange-excitant\/45456\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_102 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"34\">\n<div class=\"et_pb_text_136 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Quelle p\u00e9riode !<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_34 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/Lu%CC%88g-mich-an-und-spiel-mit-mir.-Von-Martin-Gruber-und-aktionstheater-ensemble-c-Anja-Ko%CC%88hler-1.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Lu\u0308g mich an und spiel mit mir. Von Martin Gruber und aktionstheater ensemble (c) Anja Ko\u0308hler (1)\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_103 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_137 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_138 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 06. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_104 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_139 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Au cours des ann\u00e9es de l&rsquo;\u00e8re Trump, nous nous sommes familiaris\u00e9s avec le concept de fake news tout autour du globe. A tel point que nous pensons d\u00e9sormais devoir nous approprier le mensonge pour survivre dans la soci\u00e9t\u00e9. Avec son ensemble, Martin Gruber s&rsquo;est pench\u00e9 de plus pr\u00e8s sur ce ph\u00e9nom\u00e8ne. Mais pas seulement celui-ci.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_34_wrapper\"><a class=\"et_pb_button_34 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/quelle-periode\/45387\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_105 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"35\">\n<div class=\"et_pb_text_140 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Pas pour les \u00e2mes sensibles<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_35 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/2022_05_macbeth_nanette-waidmann_florian-koehler_daria-von-loewenich_203_c_lex-karelly.jpg?fit=1080%2C720&#038;ssl=1\" title=\"2022_05_macbeth_nanette-waidmann_florian-koehler_daria-von-loewenich_203_c_lex-karelly\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_106 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_141 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_142 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 02. juin 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_107 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_143 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le sang veut du sang. Cette phrase tir\u00e9e de \u00ab\u00a0Macbeth. D&rsquo;apr\u00e8s William Shakespeare\u00a0\u00bb de Heiner M\u00fcller, le metteur en sc\u00e8ne Stephan Rottkamp l&rsquo;a prise plus qu&rsquo;au pied de la lettre. La mise en sc\u00e8ne de la pi\u00e8ce au Grazer Schauspielhaus commence dans le sang et se termine dans le sang. Entre les deux, du sang : du sang par seaux entiers.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_35_wrapper\"><a class=\"et_pb_button_35 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/pas-pour-les-ames-sensibles\/45257\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_108 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"36\">\n<div class=\"et_pb_text_144 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>L&#039;horreur ne se joue pas seulement au th\u00e9\u00e2tre<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_36 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/80_LEtang_Gisele_VienneJeanLouisFernandez.jpg?fit=1080%2C720&#038;ssl=1\" title=\"80_LEtang_Gisele_VienneJeanLouisFernandez\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_109 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_145 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_146 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 30. mai 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_110 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_147 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>L&rsquo;abus de pouvoir commence dans la famille et se transmet \u00e0 partir de l\u00e0. Avec &lsquo;L&rsquo;etang \/ Der Teich&rsquo;, Gis\u00e8le Vienne a r\u00e9ussi \u00e0 transposer de mani\u00e8re tr\u00e8s \u00e9motionnelle la pi\u00e8ce de th\u00e9\u00e2tre du m\u00eame nom de Robert Walser. Elle montre comment les enfants sont livr\u00e9s \u00e0 leurs parents sur le plan \u00e9motionnel et combien ils souffrent du manque d&rsquo;amour. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_36_wrapper\"><a class=\"et_pb_button_36 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/lhorreur-ne-se-joue-pas-seulement-au-theatre\/45127\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_111 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"37\">\n<div class=\"et_pb_text_148 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Au point de rupture entre l&#039;ancien et le nouveau<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_37 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/LaCerisaie_TiagoRodrigues_c_Christophe-Raynaud-de-Lage_FestivaldAvignon_05.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"LaCerisaie_TiagoRodrigues_c_Christophe-Raynaud-de-Lage_FestivaldAvignon_05\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_112 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_149 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_150 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 28. mai 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_113 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_151 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>La Cerisaie de Tchekhov, mise en sc\u00e8ne par Tiago Rodrigues, a convaincu \u00e0 plusieurs \u00e9gards lors des Wiener Festwochen.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_37_wrapper\"><a class=\"et_pb_button_37 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/wiener-festwochen-la-cerisaie\/44867\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_114 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"38\">\n<div class=\"et_pb_text_152 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Beaucoup de t\u00eate, peu de coeur<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_38 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/Una-imagen-interior_9748_c_Nurith-Wagner-Strauss.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Una-imagen-interior_9748_c_Nurith-Wagner-Strauss\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_115 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_153 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_154 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 25. mai 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_116 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_155 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Avec &lsquo;Un imagen interior&rsquo; du groupe El Conde de Torrefiel, le recours \u00e0 la bo\u00eete \u00e0 magie du th\u00e9\u00e2tre post-dramatique n&rsquo;a fonctionn\u00e9 que de mani\u00e8re limit\u00e9e. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_38_wrapper\"><a class=\"et_pb_button_38 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/beaucoup-de-tete-peu-de-coeur\/45181\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_117 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"39\">\n<div class=\"et_pb_text_156 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Tout a d\u00e9j\u00e0 \u00e9t\u00e9 fait et pourtant beaucoup de nouveaut\u00e9s<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_39 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/koehlmeier.jpg?fit=1080%2C720&#038;ssl=1\" title=\"koehlmeier\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_118 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_157 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_158 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 24. mai 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_119 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_159 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Michael K\u00f6hlmeier a rempli le Schauspielhaus de Graz avec sa \u00ab\u00a0soir\u00e9e de mythologie grecque\u00a0\u00bb. Une bonne id\u00e9e de faire revenir un public encore h\u00e9sitant dans la salle apr\u00e8s la pause due \u00e0 la pand\u00e9mie. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_39_wrapper\"><a class=\"et_pb_button_39 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/tout-a-deja-ete-fait-et-pourtant-beaucoup-de-nouveautes\/37577\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_120 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"40\">\n<div class=\"et_pb_text_160 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Musique et danse sans temps ni espace<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_40 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/2_t-u-m-u-l-u-s_Francois-Chaignaud-Geoffroy-Jourdain_c_Christophe-Raynaud-de-Lage.jpg?fit=1080%2C720&#038;ssl=1\" title=\"2_t-u-m-u-l-u-s_Francois-Chaignaud-Geoffroy-Jourdain_c_Christophe-Raynaud-de-Lage\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_121 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_161 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_162 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 17. mai 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_122 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_163 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>TUMULUS &#8211; la nouvelle \u0153uvre de Fran\u00e7ois Chaignaud et du chef d&rsquo;orchestre Geoffroy Jourdain associe la danse \u00e0 la musique historique et contemporaine.  Elle parle du caract\u00e8re \u00e9ph\u00e9m\u00e8re de la vie tout comme de l&rsquo;envie de faire la f\u00eate et de profiter de la vie.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_40_wrapper\"><a class=\"et_pb_button_40 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/wiener-festwochen-tumulus\/37587\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_123 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"41\">\n<div class=\"et_pb_text_164 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>De la t\u00e9l\u00e9r\u00e9alit\u00e9 \u00e0 la tombe \u00e0 grande vitesse<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_41 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/tag_glaubeliebehoffnung_c_anna_stoecher-7043.jpeg?fit=1080%2C721&#038;ssl=1\" title=\"tag_glaubeliebehoffnung_c_anna_stoecher-7043\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_124 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_165 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_166 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 08. mai 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_125 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_167 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le TAG vous attend avec une version modifi\u00e9e de \u00ab\u00a0Glaube, Liebe Hoffnung\u00a0\u00bb d&rsquo;\u00d6d\u00f6n von Horv\u00e1th et Lukas Kristl. Cent minutes passent comme un \u00e9clair.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_41_wrapper\"><a class=\"et_pb_button_41 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/das-tag-glaube-liebe-hoffnung-oedoen-von-horvath\/37509\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_126 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"42\">\n<div class=\"et_pb_text_168 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Le cycle \u00e9ternel de la vie<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_42 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2017\/05\/2017_05_20_Standing-In-Time_02-c-MAU.jpg?fit=1080%2C720&#038;ssl=1\" title=\"2017_05_20_Standing-In-Time_(02)-(c)-MAU\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_127 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_169 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_170 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>| 21. mai 2017<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_128 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_171 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><p>Avec sa troupe MAU Wahine, Lemi Ponifasio a pr\u00e9sent\u00e9 \u00ab Standing in Time \u00bb. Au Festspielhaus de St. P\u00f6lten, la premi\u00e8re mondiale charg\u00e9e d\u2019\u00e9motions  a fait voler en \u00e9clats toutes les limites th\u00e9\u00e2trales.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_42_wrapper\"><a class=\"et_pb_button_42 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module\" href=\"https:\/\/european-cultural-news.com\/fr\/lemi-ponfasio-st-poelten-standing-in-time\/24688\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":51349,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-25492","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/P2NpeJ-6Da","_links":{"self":[{"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/pages\/25492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/comments?post=25492"}],"version-history":[{"count":4,"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/pages\/25492\/revisions"}],"predecessor-version":[{"id":59154,"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/pages\/25492\/revisions\/59154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/media\/51349"}],"wp:attachment":[{"href":"https:\/\/european-cultural-news.com\/fr\/wp-json\/wp\/v2\/media?parent=25492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}