{"id":44689,"date":"2017-08-08T21:52:06","date_gmt":"2017-08-08T19:52:06","guid":{"rendered":"https:\/\/www.european-cultural-news.com\/start\/"},"modified":"2026-01-25T16:02:57","modified_gmt":"2026-01-25T15:02:57","slug":"1-2","status":"publish","type":"page","link":"https:\/\/european-cultural-news.com\/en\/","title":{"rendered":"start"},"content":{"rendered":"<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\">\n<div class=\"et_pb_row_0 et_pb_row et_block_row et_pb_row_fullwidth\">\n<div class=\"et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\">\n\n<div class=\"et_pb_module et_d4_element et_pb_search et_pb_search_0  et_pb_text_align_left et_pb_bg_layout_light\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<form role=\"search\" method=\"get\" class=\"et_pb_searchform\" action=\"https:\/\/european-cultural-news.com\/en\/\">\n\t\t\t\t\t<div>\n\t\t\t\t\t\t<label class=\"screen-reader-text\" for=\"s\">Search for:<\/label>\n\t\t\t\t\t\t<input type=\"text\" name=\"s\" placeholder=\"Durchsuche das Magazin\" class=\"et_pb_s\" \/>\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_searchform_submit\" value=\"et_search_proccess\" \/>\n\t\t\t\t\t\t\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_include_posts\" value=\"yes\" \/>\n\t\t\t\t\t\t<input type=\"hidden\" name=\"et_pb_include_pages\" value=\"yes\" \/>\n\t\t\t\t\t\t<input type=\"submit\" value=\"Search\" class=\"et_pb_searchsubmit\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/form>\n\t\t\t<\/div>\n\n\n<div class=\"et_pb_post_slider_0 et_pb_post_slider et_pb_bg_layout_dark et_pb_slider et_pb_slider_fullwidth_off et_pb_slider_no_arrows et_pb_slider_no_pagination et_pb_slider_show_image et_pb_post_slider_image_background et_pb_slider_with_overlay et_pb_module et_block_module\"><div class=\"et_pb_slides\"><div class=\"et_pb_slide et_pb_post_slide-55979 et_pb_bg_layout_dark\" style=\"background-repeat:no-repeat;background-image:url('https:\/\/european-cultural-news.com\/wp-content\/uploads\/2024\/10\/european-cultural-news.com-zu-schoen-um-wahr-zu-sein-grand-piano-scaled.webp');background-color:#2ea3f2\"><div class=\"et_pb_slide_overlay_container\"><\/div><div class=\"et_pb_container clearfix\"><div class=\"et_pb_slider_container_inner\"><div class=\"et_pb_slide_description\"><h2 class=\"et_pb_slide_title\"><a href=\"https:\/\/european-cultural-news.com\/en\/too-good-to-be-true\/55979\/\">Too good to be true<\/a><\/h2><div class=\"et_pb_slide_content\"><div class=\"et_pb_slide_content_body\"><p>Fr\u00e9d\u00e9ric Chopin, Clara Schumann, Ignacy Jan Paderewski, Sergei Rachmaninoff or Glenn Gould \u2013 they are all known to have suffered from severe pain due to their virtuosity at the piano. Fortunately, Dorothy Taubman&#8217;s revolutionary playing technique makes it possible to play without pain today. An extraordinary workshop in Vienna provided an in-depth insight into this quiet revolution at the piano.<\/p>\n<\/div><\/div><div class=\"et_pb_button_wrapper\"><a class=\"et_pb_button et_pb_more_button\" href=\"https:\/\/european-cultural-news.com\/en\/too-good-to-be-true\/55979\/\" data-icon=\"i\">Artikel lesen<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>\n<\/div>\n\n<div class=\"et_pb_row_1 et_pb_row et_flex_row\">\n<div class=\"et_pb_column_1 et_pb_column et-last-child et_grid_column et_pb_css_mix_blend_mode_passthrough et_flex_column_24_24 et_flex_column_24_24_tablet et_flex_column_24_24_phone et_flex_column_24_24_tabletWide et_flex_column_24_24_widescreen et_flex_column_24_24_ultraWide\"><div class=\"et_pb_group_0 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"0\">\n<div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Megalomania and self-abasement<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_0 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2024\/03\/european-cultural-news.com-groessenwahn-und-selbsterniedrigung-WhatsApp-Image-2024-03-22-at-08.22.23.jpeg?fit=1080%2C499&#038;ssl=1\" alt=\"&quot;The Anthology&quot; zu Gast beim wortwiege Festival in Wiener Neustadt. (Foto: Julia Kampichler)\" title=\"The Anthology - wortwiege - Wiener Neustadt\" class=\"\" \/><\/span><\/div>\n\n<div class=\"et_pb_group_1 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 22. March 2024<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_2 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>A production by the Israeli Acco Theater left the audience at the &#8220;wortwiege&#8221; festival in Wiener Neustadt with goosebumps. &#8220;The Anthology&#8221; proved to be an artful blend of different genres. The play alternated between musical cabaret, psychodrama and history lesson, but with the best means the theater has to offer: two stage professionals. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_0_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_0 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/the-anthology-wortwiege-wiener-neustadt\/53328\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_3 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"1\">\n<div class=\"et_pb_text_4 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>What is it like to be an Israeli?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_1 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2024\/03\/european-cultural-news.com-wie-ist-es-ein-israeli-zu-sein-CJulia-Kampichler-Handbook-0150.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"(C)Julia Kampichler Handbook_0150.jpg\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_4 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_5 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_6 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 12. March 2024<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_5 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_7 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Two Israeli directors reflect on stage about a new play as well as about their lives in Europe and life in Israel itself. Witty and profound, humorous and sad at the same time, they won over the audience at &#8216;wortwiege&#8217; in the Kasematten in Wiener Neustadt.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_1_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_1 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/what-is-it-like-to-be-an-israeli\/53237\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_6 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"2\">\n<div class=\"et_pb_text_8 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>European Capital of Culture Bad Ischl &#8211; Salzkammergut 2024<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_2 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2024\/01\/ausstellung-salz-und-wasser.jpg?fit=600%2C337&#038;ssl=1\" title=\"exhibition salt and water\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_7 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_9 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_10 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 25. January 2024<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_8 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_11 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The opening marathon is finished. The &#8220;Bad Ischl &#8211; Salzkammergut\u201c European Capital of Culture year kicked off in Bad Ischl on the weekend of January 19-21, 2024 with a whole series of events.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_2_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_2 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/european-capital-of-culture-bad-ischl-salzkammergut\/52691\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_9 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"3\">\n<div class=\"et_pb_text_12 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Demon Radio<br \/> Colorful outside and deep black inside<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_3 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/2023_09_21_Steirischer_Herbst_00837_full.jpg?fit=1080%2C608&#038;ssl=1\" title=\"2023_09_21_Steirischer_Herbst_00837_full\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_10 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_13 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_14 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 13. October 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_11 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_15 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The Steirischer Herbst23 features a wealth of performances in the three weeks it lasts. At the same time, however, there are also static exhibitions that have a special feature. Everything that can be seen at the exhibition venues has a reference to Graz. This is probably a unique curatorial perspective that is not found to the same extent at other festivals, and for the most part not at all.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_3_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_3 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/demon-radio-outside-colorful-and-inside-deep-black\/50975\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_12 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"4\">\n<div class=\"et_pb_text_16 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Playing piano with mountaineering equipment<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_4 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231006_IX-KLA-VIER-E_c_ORF-musikprotokoll_M.-Gross-_header.jpg?fit=1080%2C608&#038;ssl=1\" title=\"231006_IX KLA VIER E_(c)_ORF musikprotokoll_M. Gross _header\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_13 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_17 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_18 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 12. October 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_14 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_19 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>On the occasion of the musikprotokoll as part of the Steirischer Herbst 23, the audience in the Helmut-List-Halle was treated to a piano concert of a different kind as an entr\u00e9e.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_4_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_4 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/ix-pianos-orf-musikprotokoll\/50904\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_15 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"5\">\n<div class=\"et_pb_text_20 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Four women and one man<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_5 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231008_canvas_c_ORF-musikprotokoll_M.-Gross-9.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231008_canvas_(c)_ORF musikprotokoll_M. Gross (9)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_16 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_21 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_22 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 12. October 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_17 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_23 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>On the last day of the musikprotokoll on the occasion of the Styrian Autumn 23, the Institute of Music Theater of the Kunstuni Graz invited to an opera performance at the Mumuth.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_5_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_5 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/canvas-orf-musikprotokoll\/50898\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_18 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"6\">\n<div class=\"et_pb_text_24 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Large contingent at the musikprotokoll in the &#8220;Steirischen Herbst&#8221; 23<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_6 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231007_RSO-Wien_c_ORF-musikprotokoll_M.-Gross-20.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231007_RSO Wien_(c)_ORF musikprotokoll_M. Gross (20)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_19 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_25 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_26 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 11. October 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_20 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_27 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>With the ORF RSO Vienna under the baton of Marin Alsop, musikprotokoll offered its audience an exhilarating evening of contemporary music.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_6_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_6 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/rso-beim-orf-musikprotokoll-at-steirischen-herbst\/50720\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_21 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"7\">\n<div class=\"et_pb_text_28 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The sound of nature in the concert hall<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_7 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231006_Klangforum-Wien_c_ORF-musikprotokoll_M.-Gross-9-1.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231006_Klangforum Wien_(c)_ORF musikprotokoll_M. Gross (9)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_22 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_29 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_30 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 10. October 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_23 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_31 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The second evening of musikprotokoll as part of Steirischer Herbst 23 was devoted entirely to nature. The Klangforum under conductor Lin Liao performed four concerts in the List Hall and was then replaced by the Schallfeld Ensemble.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_7_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_7 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/the-sound-of-nature-in-the-concert-hall\/50878\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_24 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"8\">\n<div class=\"et_pb_text_32 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>stereophony in the &#8220;Dom im Berg&#8221;<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_8 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/10\/231005_Organa-Quadrupla_c_ORF-musikprotokoll_M.-Gross-4.jpg?fit=1080%2C720&#038;ssl=1\" title=\"231005_Organa Quadrupla_(c)_ORF musikprotokoll_M. Gross (4)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_25 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_33 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_34 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 09. October 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_26 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_35 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>For the opening of the musikprotokoll with the title &#8220;interconnected \/ interdependent&#8221; in the context of the Styrian Autumn 23, those responsible programmed a varied prelude for the Dom im Berg.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_8_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_8 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/orf-musikprotokoll-in-the-dom-im-berg-english\/50713\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_27 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"9\">\n<div class=\"et_pb_text_36 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Who am I anyway?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_9 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/0xDCA3B727619FC998506C42AF94D5CFDA.jpg?fit=1080%2C720&#038;ssl=1\" title=\"The ship of Theseus - steirischer herbst\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_28 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_37 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_38 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 27. September 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_29 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_39 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The director, author and performer Franz von Strolchen alias Christian Winkler created with the production &#8220;The Ship of Theseus&#8221; a post-dramatic piece on the topic of Roma.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_9_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_9 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/the-ship-of-theseus-sterischer-herbst\/50130\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_30 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"10\">\n<div class=\"et_pb_text_40 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Sea glitter and fire crackling<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_10 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/C-Julia-Kampichler-Dido-ASC_0316-web.jpg?fit=1080%2C720&#038;ssl=1\" title=\"(C) Julia Kampichler Dido ASC_0316-web\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_31 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_41 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_42 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 24. September 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_32 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_43 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Korhan Basaran impressed the audience of the &#8220;wortwiege&#8221; with his &#8220;Dido&#8221; in the Kasematten in Wiener Neustadt. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_10_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_10 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/dido-wortwiege-korhan-basaran-kasematten\/49979\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_33 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"11\">\n<div class=\"et_pb_text_44 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>A good story is like a fit knife<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_11 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/Orlando-Tip-04-c-Ludwig-Drahosch-web.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"Orlando-Tip-04-(c)-Ludwig-Drahosch\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_34 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_45 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Aurelia Gruber<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_46 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 17. September 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_35 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_47 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Austrian premiere of &#8220;Orlando Trip&#8221; in the Kasematen of Wiener Neustadt.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_11_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_11 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/orlando-trip-wortwiege-kasematten\/49821\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_36 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"12\">\n<div class=\"et_pb_text_48 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>From the ape-like gait to the human jogging mania<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_12 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/09\/C-Julia-Kampichler-Lucy-was-not-long-ago-ASC_0155-web.jpg?fit=1080%2C720&#038;ssl=1\" title=\"(C)-Julia-Kampichler-Lucy-was-not-long-ago\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_37 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_49 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_50 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 11. September 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_38 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_51 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Aleksandar Acev shows in his performance &#8220;Lucy was not long ago&#8221; that our repertoire of movements is not only anthropologically well comprehensible. He also makes clear that we express our feelings with our body at every moment. Whether we want it or not.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_12_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_12 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/lucy-was-not-long-ago-wortwiege-kassematten-english\/49816\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_39 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"13\">\n<div class=\"et_pb_text_52 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Orlando&#8217;s Vienna Stroll<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_13 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/08\/Station_1_Vorschau_Claudia_VD.jpg?fit=1080%2C646&#038;ssl=1\" title=\"Station_1_Vorschau_Claudia_VD\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_40 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_53 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_54 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 30. August 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_41 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_55 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Many of us don&#8217;t have the best memories of the lockdown era. That&#8217;s not the case for Ece Anisoglu and Julia Pacher. After all, they developed &#8220;The Orlando Project&#8221; together when culture was at a standstill on the outside. Now it had its open-air premiere in Vienna in August. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_13_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_13 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/orlandos-vienna-stroll\/49705\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_42 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"14\">\n<div class=\"et_pb_text_56 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Julius B\u00fcrger &#8211; expelled and rediscovered I A Viennese composer returns<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_14 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/08\/Exilarte-Buerger-Still-3-c-Benjamin-Pieber-Herzog-Media.jpg?fit=1080%2C608&#038;ssl=1\" title=\"Exilarte-Bu\u0308rger Still 3 (c) Benjamin Pieber - Herzog Media\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_43 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_57 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_58 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 23. August 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_44 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_59 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Life itself writes the most incredible stories. This sentence, often heard or read, is especially true for a special concert. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_14_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_14 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/julius-buerger-rso-concert-vienna\/49580\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_45 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"15\">\n<div class=\"et_pb_text_60 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Jan\u00e1\u010dek in the church<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_15 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/04\/PhotoWerK_OG_KKabanova_HP1_HiRes_082-2.jpg?fit=1080%2C720&#038;ssl=1\" title=\"PhotoWerK_OG_KKabanova_HP1_HiRes_082\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_46 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_61 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_62 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 16. April 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_47 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_63 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>In Graz, the opera Katja Kabanova by Leo\u0161 Jan\u00e1\u010dek underwent several reinterpretations by director Anika Rutkofsky. Some of them are open to discussion. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_15_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_15 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/opera-graz-janacek-katja-kabanova\/48467\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_48 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"16\">\n<div class=\"et_pb_text_64 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Evolution and its physical legacy<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_16 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2023\/02\/Bones-and-Stones-herosection-e1677346109785.jpeg?fit=1080%2C718&#038;ssl=1\" title=\"Bones and Stones-herosection\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_49 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_65 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_66 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 27. February 2023<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_50 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_67 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;Bones and Stones&#8221; &#8211; what rhymes so wonderfully in English sounds much more unwieldy in German. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_16_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_16 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/bones-und-stones-claudia-bosse-tqw\/48124\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_51 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"17\">\n<div class=\"et_pb_text_68 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>What the dishes tell us about &#8220;Hi\u0161a Denk<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_17 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/10\/IMG_7033-1-e1667158065983.jpeg?fit=1080%2C810&#038;ssl=1\" alt=\"Hisa -d\u00b4\" title=\"IMG_7033 (1)\" class=\"\" \/><\/span><\/div>\n\n<div class=\"et_pb_group_52 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_69 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_70 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 30. October 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_53 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_71 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Passing colourful forests and still green vineyards, we head through autumnal southern Styria to &#8220;Hi\u0161a Denk&#8221; in Slovenia, a few minutes&#8217; drive from the Spielfeld border. At first glance, Gregor Vra\u010dko&#8217;s gourmet restaurant looks like a Sleeping Beauty.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_17_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_17 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/what-the-dishes-from-hisa-denk-tell-us\/47465\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_54 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"18\">\n<div class=\"et_pb_text_72 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Frankenstein&#8217;s creature at the foot of the Salzburg Fortress<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_18 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/10\/JF-20220914_0093-scaled-1.jpg?fit=1080%2C718&#038;ssl=1\" title=\"JF-20220914_0093-scaled\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_55 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_73 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_74 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 23. October 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_56 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_75 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Salzburg is always worth a detour. Not only because of its historical, architectural uniqueness. Theatre enthusiasts will also find a range of events there that is well worth seeing &#8211; even outside of the festival.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_18_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_18 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/frankensteins-creature-at-the-foot-of-the-feste-salzburg\/47126\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_57 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"19\">\n<div class=\"et_pb_text_76 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Why is this Shakespeare so unknown?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_19 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/Coriolanus-0053-c-Julia-Kampichler-web.jpeg?fit=1080%2C719&#038;ssl=1\" title=\"Coriolanus-0053-(c)-Julia-Kampichler-web\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_58 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_77 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Aurelia Gruber<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_78 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 22. September 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_59 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_79 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The production not only lives from the fact that it shows different views of a successful state and their respective representatives. The production also lives from strong, emotional moments. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_19_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_19 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/coriolanus-kasematten-wortwiege\/46876\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_60 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"20\">\n<div class=\"et_pb_text_80 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>When the risotto starts to smell<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_20 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/MTTW_VR-Bania_C-Nick-Mangafas4.jpg?fit=1080%2C721&#038;ssl=1\" title=\"MTTW_VR-Bania_(C) Nick Mangafas4\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_61 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_81 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_82 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 19. September 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_62 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_83 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Carmen C. Kruse and Manuel Zwerger achieved the feat of coupling a VR performance with a live experience. European Kitchen Encounters: VR_Bania became a not only theatrical but also epicurean experience for the audience on the occasion of the &#8216;Musiktheatertage Wien&#8217;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_20_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_20 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/vr-bania-musiktheatertage-wien\/46795\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_63 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"21\">\n<div class=\"et_pb_text_84 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Chornobyldorf &#8211; a look back and one forward<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_21 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/09\/MTTW2022_Chornobyldorf_c-Anastasiia-Yakovenko-_-eSel_0875-scaled.jpg?fit=1080%2C720&#038;ssl=1\" title=\"MTTW2022_Chornobyldorf_(c) Anastasiia Yakovenko _ eSel_0875\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_64 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_85 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_86 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 19. September 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_65 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_87 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The threat to the earth posed by technological progress, hybrid forms of human beings who practise art genres that can nevertheless never be animated by them, but &#8220;Chornobyldorf&#8221; contains all this and much more. Apart from all artistic intention, the piece is also a strong commitment to Europe. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_21_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_21 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/chornobyldorf-musiktheatertage-wien\/46800\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_66 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"22\">\n<div class=\"et_pb_text_88 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>From a Zen exercise to physical massacre<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_22 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/22-simonmayer-being-moved-c-franzikreis02-header.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22-simonmayer-being-moved-c-franzikreis02-header\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_67 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_89 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_90 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 08. August 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_68 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_91 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Simon Mayer combines high-tech equipment with a purely human-based choreography. Although he explores new techniques excessively, his piece &#8220;Being moved&#8221; conveys a lot of depth.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_22_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_22 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/simon-mayer-impulstanz-2022\/46689\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_69 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"23\">\n<div class=\"et_pb_text_92 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Wherever it says Ivo Dimchev, there&#8217;s pure entertainment inside<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_23 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/Header_In-Hell-with-jesus.jpg?fit=1080%2C721&#038;ssl=1\" title=\"Header_In Hell with jesus\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_70 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_93 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_94 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 07. August 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_71 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_95 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Ivo Dimchev was a guest at Impulstanz for the 15th time. And rightly so. Because each of his shows is and has been an experience. Although he has a good, recognisable USP, the artist always devotes himself to new topics. In doing so, he seems to be endowed with an almost inexhaustible creativity.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_23_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_23 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/ivo-dimchev-impulstanz-in-hell-with-jesus\/46542\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_72 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"24\">\n<div class=\"et_pb_text_96 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Jarrett meets Mitchell meets Harrell<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_24 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/Header.jpg?fit=1080%2C763&#038;ssl=1\" title=\"Header\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_73 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_97 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_98 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 06. August 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_74 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_99 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;The K\u00f6ln Concert&#8221; by Keith Jarrett shows itself in Trajal Harrell&#8217;s dance arrangement as a successful symbiosis of different artistic genres.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_24_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_24 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/the-koeln-concert-trajal-harrell-impulstanz\/46442\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_75 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"25\">\n<div class=\"et_pb_text_100 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>A recurring sacrifice in new guise<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_25 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/1980-header-1.jpg?fit=1080%2C740&#038;ssl=1\" title=\"1980-header\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_76 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_101 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_102 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 05. August 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_77 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_103 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Dada Masilo, the South African dancer and choreographer, has made a name for herself in recent years with new interpretations of classical ballets. With &#8220;Swanlake&#8221;, &#8220;Carmen&#8221; and &#8220;Giselle&#8221;, she set strong, new interpretative scents. With &#8220;The Sacrifice&#8221;, a new arrangement of the &#8220;Sacre du Printemps&#8221;, she wanted to explore what sacrifices we are prepared to make today.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_25_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_25 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/dada-masilo-impulstanz-2022\/46385\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_78 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"26\">\n<div class=\"et_pb_text_104 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Disappeared impulse givers<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_26 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/1980-header.jpg?fit=1080%2C719&#038;ssl=1\" title=\"1980-header\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_79 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_105 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_106 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 05. August 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_80 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_107 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>In 2022, the Impulstanz Festival had invited Lenio Kaklea, a dancer and choreographer from Greece, to Vienna, as it had several times before. She was joined by the French pianist and composer of British origin, Orlando Bass, who performed live on a prepared piano.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_26_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_26 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/kalkea-impulstanz-john-cage\/46393\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_81 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"27\">\n<div class=\"et_pb_text_108 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Brutal Romanticism<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_27 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/08\/header-foto-c-eva-wuerdinger.jpg?fit=1080%2C721&#038;ssl=1\" title=\"Florentina Holzinger TANZ\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_82 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_109 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_110 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 04. August 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_83 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_111 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>&#8220;Dance. A Sylphidic Reverie in Stunts&#8221; by Florentine Holzinger transforms ballet dancers into bloodthirsty witches. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_27_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_27 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/florentine-holzinger-impulstanz-2022\/46378\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_84 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"28\">\n<div class=\"et_pb_text_112 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Memories in a row<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_28 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_UltimaVez_WimVandekeybus_ScatteredMemories_c_yako_one_36.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_UltimaVez_WimVandekeybus_ScatteredMemories_c_yako_one_36\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_85 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_113 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_114 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 31. July 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_86 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_115 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>This year, the Impulstanz Festival is showing productions by international dance greats like a non-stop stream. Wim Vandekeybus was represented with two new works. After his show &#8216;Hands do not touch your precious Me&#8217;, he showed &#8220;Scattered Memories&#8221; at the Volkstheater &#8211; a retrospective of 35 years of Ultima Vez.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_28_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_28 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/memories-in-a-row\/46149\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_87 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"29\">\n<div class=\"et_pb_text_116 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Animalistic and cool calculation<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_29 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/header_foto.jpg?fit=1080%2C720&#038;ssl=1\" title=\"header_foto\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_88 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_117 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_118 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 30. July 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_89 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_119 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Dark, threatening, somnambulistic, powerful and poetic. This is how &#8220;Hands do not touch your precious me&#8221; presents itself with the eponymous subtitle &#8220;The mingled universe of Wim Vandekeybus, Charo Calvo &#038; Olivier de Sagazan&#8221;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_29_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_29 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/animalistic-and-cool-calculation\/46084\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_90 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"30\">\n<div class=\"et_pb_text_120 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>What do you really need to know about the creation of a work of art?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_30 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_Jan_Lauwers_Needcompany_All_the_Good_c_Phile_Deprez_03.jpg?fit=600%2C400&#038;ssl=1\" title=\"22_Jan_Lauwers_Needcompany_All_the_Good_c_Phile_Deprez_03\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_91 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_121 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_122 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 24. July 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_92 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_123 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Jan Lauwers created a multidimensional artistic masterpiece with his &#8220;Needcompany&#8221;.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_30_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_30 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/what-do-you-really-need-to-know-about-the-creation-of-a-work-of-art\/46045\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_93 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"31\">\n<div class=\"et_pb_text_124 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The Jungle Book &#8211; reimagined<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_31 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_AkramKhan_JungleBookreimagined_c_AmbraVernuccio43.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_AkramKhan_JungleBookreimagined_c_AmbraVernuccio43\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_94 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_125 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_126 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 24. July 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_95 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_127 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>With &#8220;Jungle Book reimagined&#8221;, Akram Khan created a story of Rudyard Kipling&#8217;s classic that has been revised in terms of content. Designed as a great dance spectacle, it is sure to conquer the stages of the world. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_31_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_31 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/the-jungle-book-reimagined\/46023\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_96 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"32\">\n<div class=\"et_pb_text_128 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Much and little and yet more than enough of everything<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_32 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/07\/22_TanztheaterWuppertalPinaBausch_VollmondEinStueckvonPinaBausch_c_yako.one_06-Copy-2.jpg?fit=1080%2C720&#038;ssl=1\" title=\"22_TanztheaterWuppertalPinaBausch_VollmondEinStueckvonPinaBausch_c_yako.one_06 (Copy) (2)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_97 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_129 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_130 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 13. July 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_98 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_131 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>On the opening weekend, the <a href=\"https:\/\/www.european-cultural-news.com\/de\/category\/tanz\/impulstanz\/\" rel=\"noopener\" target=\"_blank\">Festival Impulstanz<\/a> showed &#8220;Dances for an actress&#8221; by J\u00e9r\u00f4me Bel and &#8220;Vollmond. A Piece by Pina Bausch&#8221;. If you take these two productions as a taste of what may be to come, you can justifiably look forward to the next Dance Weeks in Vienna.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_32_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_32 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/much-and-little-and-yet-more-than-enough-of-everything\/45886\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_99 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"33\">\n<div class=\"et_pb_text_132 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>You can find all kinds of things in a landfill site<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_33 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/2048px-Wolf_Haas_Frankfurter_Buchmesse_2018.jpg?fit=1080%2C780&#038;ssl=1\" title=\"2048px-Wolf_Haas_Frankfurter_Buchmesse_2018\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_100 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_133 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_134 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 23. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_101 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_135 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>At readings, you don&#8217;t just get an insight into a new book. With luck, you also learn something about the author&#8217;s personality. Wolf Haas opened a small window for his audience at the Orpheum in Graz to a not ordinary writer&#8217;s story.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_33_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_33 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/you-can-find-all-kinds-of-things-in-a-landfill-site\/45684\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_102 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"34\">\n<div class=\"et_pb_text_136 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Only stagnation means freedom<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_34 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/IMG_0167_Die-Maschine-steht-nicht-still_c_Frank-Dehner-Copy.jpg?fit=1080%2C769&#038;ssl=1\" title=\"IMG_0167_Die-Maschine-steht-nicht-still_c_Frank-Dehner (Copy)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_103 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_137 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_138 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 14. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_104 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_139 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Humans live isolated from other individuals as hybrid beings, controlled by a global intelligence machinery. Caroline Peters and Ledwald impressed at the Hamakom as part of the Vienna Festival.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_34_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_34 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/only-stagnation-means-freedom\/45620\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_105 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"35\">\n<div class=\"et_pb_text_140 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>An animal election campaign<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_35 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/Wahlkampf-der-Tiere-06-c-Schubert-Theater-min.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Wahlkampf-der-Tiere-06-c-Schubert-Theater-min\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_106 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_141 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_142 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 10. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_107 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_143 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>When it comes to voting, one is spoilt for choice in the truest sense of the word. Right, left, moderate, up or down, established party or newcomer \u2013 you should at least familiarize yourself with their election programmes. The Schubert Theatre, specialised in puppet theatre for adults, presents its audience with a special treat with \u201cElection Campaign of the Animals\u201d.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_35_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_35 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/an-animal-election-campaign\/45588\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_108 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"36\">\n<div class=\"et_pb_text_144 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Quo vaditis, Rabtaldirndln and toxic dreams?<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_36 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/MG_1683.jpg?fit=1080%2C720&#038;ssl=1\" title=\"_MG_1683\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_109 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_145 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_146 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 10. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_110 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_147 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Graz housewives versus Viennese housewives &#8211; an astonishingly tiring combination<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_36_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_36 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/quo-vaditis-rabtaldirndln-and-toxic-dreams\/45586\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_111 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"37\">\n<div class=\"et_pb_text_148 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>An exciting mixture<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_37 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/headerbild.jpg?fit=1080%2C720&#038;ssl=1\" title=\"headerbild\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_112 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_149 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Elisabeth Ritonja<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_150 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 07. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_113 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_151 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Bouchra Ouizguen presented a cross-border dance project with her work &#8220;Elephant&#8221; as part of the Wiener Festwochen.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_37_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_37 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/an-exciting-mixture\/45457\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_114 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"38\">\n<div class=\"et_pb_text_152 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>What a time!<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_38 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/Lu%CC%88g-mich-an-und-spiel-mit-mir.-Von-Martin-Gruber-und-aktionstheater-ensemble-c-Anja-Ko%CC%88hler-1.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Lu\u0308g mich an und spiel mit mir. Von Martin Gruber und aktionstheater ensemble (c) Anja Ko\u0308hler (1)\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_115 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_153 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_154 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 06. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_116 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_155 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>In the years of the Trump era, we around the globe became familiar with the concept of fake-news. So much so that we now think we have to adopt lying ourselves in order to survive in society. Martin Gruber and his ensemble have taken a closer look at the phenomenon. But not only this one.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_38_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_38 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/what-a-time\/45386\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_117 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"39\">\n<div class=\"et_pb_text_156 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Not for the faint-hearted<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_39 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/06\/2022_05_macbeth_nanette-waidmann_florian-koehler_daria-von-loewenich_203_c_lex-karelly.jpg?fit=1080%2C720&#038;ssl=1\" title=\"2022_05_macbeth_nanette-waidmann_florian-koehler_daria-von-loewenich_203_c_lex-karelly\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_118 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_157 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_158 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 02. June 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_119 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_159 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Blood wants blood. This sentence from &#8220;Macbeth. After William Shakespeare&#8221; by Heiner M\u00fcller was taken more than literally by director Stephan Rottkamp. The production of the play at the Schauspielhaus in Graz begins bloody and ends bloody. In between: Blood by the bucketful.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_39_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_39 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/not-for-the-faint-hearted\/45256\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_120 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"40\">\n<div class=\"et_pb_text_160 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>The horror does not only take place in the theatre<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_40 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/80_LEtang_Gisele_VienneJeanLouisFernandez.jpg?fit=1080%2C720&#038;ssl=1\" title=\"80_LEtang_Gisele_VienneJeanLouisFernandez\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_121 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_161 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_162 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 30. May 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_122 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_163 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Abuse of power begins in the family and it is passed on from there. With &#8216;L&#8217;etang \/ Der Teich&#8217;, Gis\u00e8le Vienne succeeded in creating a highly emotional adaptation of Robert Walser&#8217;s play of the same name. It shows how children are emotionally at the mercy of their parents and how much they suffer when they are deprived of love. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_40_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_40 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/the-horror-does-not-only-take-place-in-the-theatre\/45128\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_123 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"41\">\n<div class=\"et_pb_text_164 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>At the breaking point between the old and the new<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_41 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/LaCerisaie_TiagoRodrigues_c_Christophe-Raynaud-de-Lage_FestivaldAvignon_05.jpeg?fit=1080%2C720&#038;ssl=1\" title=\"LaCerisaie_TiagoRodrigues_c_Christophe-Raynaud-de-Lage_FestivaldAvignon_05\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_124 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_165 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_166 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 28. May 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_125 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_167 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Tschechows \u201eDer Kirschgarten\u201c in der Inszenierung von Tiago Rodrigues, \u00fcberzeugte bei den Wiener Festwochen gleich in mehrfacher Hinsicht. <\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_41_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_41 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/wiener-festwochen-cherry-orchard-chekhov\/44882\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><div class=\"et_pb_group_126 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\" data-loop-item=\"42\">\n<div class=\"et_pb_text_168 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>A lot of head, not much heart<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_image_42 et_pb_image et_pb_module et_block_module\"><span class=\"et_pb_image_wrap\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/european-cultural-news.com\/wp-content\/uploads\/2022\/05\/Una-imagen-interior_9748_c_Nurith-Wagner-Strauss.jpg?fit=1080%2C720&#038;ssl=1\" title=\"Una-imagen-interior_9748_c_Nurith-Wagner-Strauss\" class=\"\" alt=\"\"><\/span><\/div>\n\n<div class=\"et_pb_group_127 et_pb_group et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_169 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>Von Michaela Preiner<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_text_170 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>| 25. May 2022<\/p>\n<\/div><\/div>\n<\/div>\n\n<div class=\"et_pb_group_128 et_pb_group et-last-child et_pb_module et_flex_group et_pb_css_mix_blend_mode_passthrough\">\n<div class=\"et_pb_text_171 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-text--default\"><div class=\"et_pb_text_inner\"><p>In &#8216;Un imagen interior&#8217; by the group El Conde de Torrefiel, reaching into the magic box of post-dramatic theatre only worked to a limited extent.<\/p>\n<\/div><\/div>\n\n<div class=\"et_pb_module et_pb_button_module_wrapper et_pb_button_42_wrapper preset--module--divi-button--default_wrapper\"><a class=\"et_pb_button_42 et_pb_button et_pb_bg_layout_light et_pb_module et_block_module preset--module--divi-button--default\" href=\"https:\/\/european-cultural-news.com\/en\/a-lot-of-head-not-much-heart\/45180\/\" data-icon=\"\uf518\">Artikel lesen<\/a><\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":51348,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-44689","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack-related-posts":[],"jetpack_shortlink":"https:\/\/wp.me\/P2NpeJ-bCN","_links":{"self":[{"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/pages\/44689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/comments?post=44689"}],"version-history":[{"count":5,"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/pages\/44689\/revisions"}],"predecessor-version":[{"id":59155,"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/pages\/44689\/revisions\/59155"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/media\/51348"}],"wp:attachment":[{"href":"https:\/\/european-cultural-news.com\/en\/wp-json\/wp\/v2\/media?parent=44689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}